Cormac McCarthy Uses Fiction to Cross Examine the Universe

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Cormac McCarthy Uses Fiction to Cross Examine the Universe
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With “Stella Maris,” the novelist unloads the second volley in the double-barreled publication of two paired novels this fall.

but it offers a new angle on her strange, luminous mind. In the first book, we saw Alicia’s troubling hallucinations as they appeared to her—as bizarre but undeniably real beings. Inwe have a more external view of Alicia. Her inner life is not dramatized, only described in exchanges with a therapist whose sympathy cannot entirely conceal his bewilderment at many of her comments about her mind and the world.

The gulf that separates them reflects more than just her intellectual supremacy. She has also experienced depths of mental anguish that she claims as the basis for special insight. “There’s data in the world available only to those who have reached a certain level of wretchedness. You don’t know what’s down there if you haven’t been down there,” she says. The novel itself is in some ways an attempt to convey just what it is that’s “down there.

The nature of this “something” that the hallucinations might be keeping at bay remains ominously vague. In fact, its unrepresentability may be an essential feature. Describing her dreams, she says, “I never saw monsters. Creatures going around carrying their heads. I always sensed that the worst of it transcended representation. You couldn’t put together something for them to look like. You didn’t have the parts.

Perhaps strangely, given this misery, she is also a delightful conversationalist. She banters, jokes, speculates, reveals, and conceals. McCarthy manages to wring suspense, poignance, and genuine intellectual interest from a story built from dialogue alone. It’s not the first time he’s done this.. Both consist entirely of conversation between two characters with starkly opposed experiences of the world. Both feature a character on the verge of suicide.

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