The most authentic performance of the year may not get an Oscar nomination. But if you care about acting, you should see Paul Mescal in 'Aftersun.'
— two high-profile films in which established auteurs look back at formative experiences of their childhoods — but in both cases I was stopped short by the artificiality of the performances.
Everyone seems to be acting in their own universe, including Judd Hirsch, whose scenery-chewing appearance as Uncle Boris threatens to break through the screen and grab the audience by the scruff of the neck. From all reports,. It would not in the least surprise me if he were also on the shortlist for a Razzie.
Since then the Irish actor, a 2017 graduate of the Lir National Academy of Dramatic Art in Dublin, has been hotly in demand.
The film is set at a time when phone booths are still extant, but this is not a screen-free zone. The father-daugher vacation is being preserved for posterity on video. We experience Calum and Sophie through Wells’ lens and their own — the two visual strands forming a double helix. What’s remarkable is that the actors are so deeply ensconced in their roles that it makes no difference who’s ostensibly behind the camera. The reality of the characters puts the audience in the position of spies.
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