'Facets’ Cinema Deathmatch: Round One luxuriates in the double pleasure of taboo with a double feature of gore for you to love and hate.' | nberlat More here 👉
, the viewer, want. Ben murders Killian right after that speech, and you’re supposed to cheer.
For that matter the studio and television audience onscreen pivots seamlessly from rooting for Ben to die to rooting for Ben to murder. Killian urges an elderly lady named Agnes to choose which stalker she thinks will make the next kill. She hesitates, then decides to back Ben. “I can pick anyone I choose. And I choose . . . Ben Richards. That boy’s one mean motherfucker!” she exclaims.
Soon everyone is betting on Ben, and the callous crowd in the dystopian future merges with the callous crowd watching a Schwarzenegger pic. Violent spectacle is immoral and shallow—unless you’re on the side of the hero, in which case it’s good, not-so-clean fun., is set in a near-future dystopia.
The battle is directed and controlled by teacher Kitano who was bullied and humiliated by the students. Kitano tells the students they’re to blame for everything that’s gone wrong with the country because they lack discipline and respect; the blood and carnage is a moral lesson in proper manners. That’s how viewers are supposed to view the film as well. The bloody spectacle is an opportunity for you to be horrified at the bloody spectacle.
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