Christopher Nolan explains that he was most happy to see theaters full this summer as a result of "Barbenheimer" & audience's desire for originality.
The Big Picture When Christopher Nolan split with Warner Bros. after two decades, it looked like a bitter divorce. And worse still, when Warners positioned Barbie, its summer tentpole, on the same date as Nolan's Oppenheimer — made under the Universal banner, his first film with the studio — it looked as if they were making it personal. However, if it was the intention of Warner Bros.
“People had forgotten what it was like pre-COVID,” says Nolan in a new interview with Variety. “Not that long ago, there often was more than one big film opening on a weekend. That can be stressful for filmmakers, but it’s better for theaters." "It’s clear from the box office that audiences are looking for things they haven’t seen before. We’ve been through a period where it was wonderfully reassuring for studio executives to feel that their franchise properties could go on forever and be predictably successful. But you can’t deny filmgoers’ desire for novelty."
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