German Palme d’Or Winner Wim Wenders Makes Cannes A Tempting 2-For-1 Offer With 3D Doc ‘Anselm’ And Competition Entry ‘Perfect Days’
and I had a final cut, postproduction had to continue in all these different departments, from sound to visual effects, color correction and so on. There were months and months in which other people had to work which I essentially just had to supervise. 3D is extremely demanding in postproduction. I really had time on my hands.
The common good in Japan is still something altogether different than in our Western civilization, where the common good was a sad victim of the pandemic. The idea of the common good has vanished more and more, together with the sense of truth that has also gone down the drain lately.is about a man who finds a sense of life in service, and in restriction, even poverty.
Wim Wenders, onstage with Bertrand Tavernier and Deborah Kerr, celebrates his Palme d’Or for ‘Paris, Texas’ at the 1984The strongest has got to beNobody had seen the film before Cannes. Nobody. Not a single journalist. I had sent a work print to Gilles Jacob, and he took the movie on the strength of that work print. He never saw the finished film until it played. When the festival started, we were beginning our mix in the sound studio.
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