Matty Healy of the1975 gracres RollingStoneUK's latest cover to talk love, relationships and cancellation. Read more ⬇️
. With The 1975’s self-titled debut album, they were an immediate success thanks to Tumblr girls and Americans who never experienced 00s British indie and were amazed to hear that accent over bright and jangly, 80s-style songs made by musicians indebted to US emo music. As Oborne tells me, “Sometimes, working with artists, it’s like pushing a fucking rock up a hill and other times it just has its own momentum.
“The songs were written, and we went to a studio, and we produced them, and we recorded them. We’ve essentially not done that before, apart from the first album,” explains Healy. “You can try and figure out what I mean without this sounding kind of pretentious or wanky, but it’s kind of doing an impression of The 1975.
With the aim of distillation, they recorded at Electric Lady in New York and Real World, Peter Gabriel’s studio in Bath. Real World looks not unlike Healy’s home: a lot of stone, natural materials, glass panels and built to include elements of light, air and water. Healy used to have a picture of its control room on his bedroom wall when he was growing up in Manchester. To deepen the approach,joined at a later date to co-produce the record with Healy and Daniel.
The 1975’s Matty Healy for Rolling Stone UK. Matty wears coat by Ann Demeulemeester, shirt, Matty’s own is split in two: it starts as outward-looking, wry and analytical about finding love during the culture wars and becomes simplistic and clearly diaristic about his own romantic relationships. “I wanted to write about the culture war but also write about being in love and ‘Yeah, fuck all that, let’s kiss’ or shit that’s a bit cringe,” Healy tells me.
What grips the imaginations of these young men is a clear directive of traditional patriarchal ideals in the absence of anything else. Meanwhile, in mainstream pop culture, privileged men are praised by their stans, social media users and aggregate websites for wearing dresses, skirts or nail polish —empty signifiers when paired with a celebrity not speaking out on political issues related to gender and sexuality.
To list some of Healy’s cultural artefacts explains his world view — and at the very least, it’s a nod to the many Easter eggs he leaves hidden in his work, ones that The 1975 fans successfully uncover with each release.
The 1975’s Matty Healy for Rolling Stone UK. Matty wears blazer by Louis Vuitton, vintage jumper by Helmut Lang, vintage shirt by Prada and vintage tie, Matty’s own What we do actually care about, Healy says, is love. It is the people in our lives, the ways they emotionally move us, the person we come home to every night.
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