The highly anticipated fourth installment in the Bridget Jones series, Bridget Jones's Mad About The Night, sees the iconic Londoner grappling with grief and navigating life as a single mum in her 50s. Critics have offered mixed reviews, praising the film's emotional depth and Zellweger's performance while some find the humor dated.
made her debut as the iconic Londoner, film number four is about to hit cinemas, reintroducing us to Bridget as a grieving single mum,series holds a special place in many fans’ hearts, so the arrival of a fourth movie – particularly one which takes such a different approach to its predecessors – was always going to spark a wide range of opinions.have proved that to be the case, with some hailing it as “perfect” and a high-point for the series, and others taking a far more critical approach.
“This terrifically funny and well-judged part four – by some distance the best of the bunch – makes a virtue of the cultural shift. Our heroine is now in her 50s, and waist-deep in motherhood – and the differences between the Bridget we knew and the Bridget she’s become are expertly mined for big laughs and even bigger emotional skewerings.”
“In swapping slapstick for sincerity, the film becomes a tender and perceptive depiction of discovering the potential for joy even while enduring such terrible grief. It’s also refreshing to see an older woman as a mother and a sexual being, and there’s no real judgement regarding her fling with a much younger man.”“I’ll confess I found a lot of the character’s traditional shtick a tad stale But Zellweger wears Bridget like a comfy pair of grandma knickers and her foibles have become endearing.
BRIDGET JONES RENÉE ZELLWEGER MOVIE REVIEW ROMANTIC COMEDY GRIEF MOTHERHOOD
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