Late last month the U.N. Security Council voted unanimously to condemn the Taliban for systematically depriving Afghan women of their rights, demanding the country’s fundamentalist Islamic rulers p…
Director Sahra Mani , producer Jennifer Lawrence, producer Justine Ciarrocchi , Dr. Zahra Mohammadi , and guests at the Cannes Film Festival Sunday, May 21, 2023.“Do not forget about Afghan women!” Dr.
Zahra Mohammadi implored the audience at the Salle Agnès Varda in Cannes as she, Mani and Lawrence introduced the film. Before the Taliban takeover, Dr. Mohammadi operated a thriving dental practice in Kabul, but soon after the Taliban return to power she was ordered to remove her name from her own clinic. Women across the country were told they could no longer go out in public without a male escort; schools for girls and women were shut down. The documentary includes cell phone video of brave women who defied the stay-at-home order and protested in the streets, calling on authorities to re-open schools. “Down with the terrorists!” shout some of the demonstrators, clearly meaning the Taliban. Disturbing videos show the brutal reaction of security forces who attack protestors and what appear to be Western journalists trying to cover the demonstrations.Courtesy of Cannes Film Festival In another cell phone video, a man off camera is heard threatening to summarily execute women protestors. One of the women tells him flatly, “You’re desperate for power over us.” That sums up the grim situation in Afghanistan, where the Taliban, guided by an extreme interpretation of the Quran, is obsessed with subjugating more than half of its people.shows safe houses where some women are offered shelter, at least temporarily, as they try to get to Pakistan to escape the suffocation of their freedoms. And some men of a more enlightened nature make stray appearances, including Zahra’s devoted husband, Omid, and the husband of another key woman in the film who notes succinctly at one point, “In Afghanistan, women are slaves.” One of the most harrowing cell phone videos comes from an anguished woman who speaks into the camera, saying through tears, “I have a Talib living in my house.” That’s a reference to her husband, whom she says has administered terrible beatings on her, worse even than what she would experience were she to venture unescorted into the streets.The film unfolds in a fractured narrative, jumping between several different women who are faced with the prospect of having to flee their homeland. It coheres around Zahra, a charismatic woman who grew up in a conservative family . Despite the disapproval of her family and great risk involved, Zahra convenes meetings in her dental office where women discuss their plight and write out protest slogans to display during public demonstrations. In one scene, Zahra tells her young nieces that if they are questioned about her they should deny knowing their aunt. The film rises to an even greater level of tension when Zahra is arrested by authorities, leaving family and friends wondering if they will ever see her alive. She is later released , but she recounts torture that she and other detainees endured while in detention. She says one woman with whom she was incarcerated had been beaten so badly Zahra didn’t recognize her, only realizing later that they had known each other before.Mani, the filmmaker, directed an earlier film about women in Afghanistan,, released in 2018 before the final Taliban onslaught. During his introduction of the cast, Cannes chief Thierry Frémaux noted that Mani is living in exile in Iran . Frémaux saluted Mani for creating a film that he said serves as both a contemporary witness of Afghanistan, and a witness for history.Photo by Stephane Cardinale – Corbis/Corbis via Getty Images Lawrence and Ciarrocchi produced the film through their banner Excellent Cadaver, and it’s the company’s first documentary.is eligible for the L’Oeil d’or award, which goes to the top documentary in the Cannes Film Festival. The L’Oeil d’or jury attended the premiere screening , and afterwards the jury president, filmmaker Kirsten Johnson, could be seen wiping tears from her eyes. Whether a documentary about women in Afghanistan can effect any change in the country seems too much to hope for. But at the very least, as Dr. Mohammadi urged, it will help ensure their ordeal is not forgotten.
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