The album companion of Marvel Studios’ $250 million sequel to “Black Panther,” “Black Panther: Wakanda Forever,” differs from the first Kendrick Lamar-curated set in key ways. For one, the filmR…
“When we lost Chadwick, great Chadwick, we had to figure out a way to move forward,” Coogler tells. “Once that was realized, we were also thinking about the music and giving audiences something that felt as spiritually connected as what we did with Kendrick [on the first soundtrack].”
of the film’s 15-track and musically diverse soundtrack. “I never expected everyone to come together and pour so much so much heart and so much love to it.”as the soundtrack’s leading female voice, to align with the rise of Princess Shuri and the warrior women who lead Wakanda who assume roles as the franchise’s new protagonists.
“Born Again” is the set’s second Rihanna song, and stylistically is more up-tempo than the latter; the piano ballad ends with elliptical power chords and primal chants composed by The-Dream, who is credited for writing Rihanna’s 2007 break-through “Umbrella” and “Birthday Cake,” among several of her other hits.
Rapper Mare Advertencia Lirika and Vivir Quintana’s “Árboles Bajo El Mar” fills the sonic space of the character’s birth sequence with breathy, elongated vibratos that end with a whispered hymn that builds up into a chant. Rapper Pat Boy raps entirely in Mayan on “Laayli’ kuxa’ano’one,” and lilting synths sweep through much of the record, like on “Con La Brisa” with Foudeqush — whose delicate vocals re-appear on the Mexican corrido “No Digas Mi Nombre,” with Calle x Vida.
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