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Black history collection containing thousands of historical records and items.and contains 2,300 items including newspaper clippings, magazines, photographs, biographies, autobiographies, nonfiction, scholarly texts, multi-volume sets and about 25 rare items found only at the Baldwin Hills Branch, according to Jené D.
Brown, the director of the library’s emerging technologies and collections division., the first Black librarian employed by the LA Public Library, began documenting and archiving California’s Black history to ensure its preservation, according to the library.of Los Angeles Public Library is now home to a nearly 100-year-old Brown, the director of the library’s emerging technologies and collections division. , the first Black librarian employed by the LA Public Library, began documenting and archiving California’s Black history to ensure its preservation, according to the library. “I’m glad it’s still being recognized and acknowledged,” Danielle Durkee, Matthews’ great niece said after attending the ceremony. “She always bought us books, she always had us involved in everything the library had to offer. So that’s what I was exposed to growing up.” Baldwin Hills is considered a part of LA’s Black cultural hub and the collection will be more visible and accessible at this location, library officials said during the ceremony. But it’s not just about changing locations, it’s about protecting the legacy of Black stories and placing the collection within a community that will honor it the most. “We have insisted that Black history is not a footnote but an essential and enduring part of the American story. This is why this collection matters,” said guest speaker Lura Daniels-Ball, president of the Our Author Study Club of Los Angeles. The Los Angeles Public Library displays a timeline at the Baldwin Hills Branch Library outlining how the Dorothy Vena Johnson Black History Collection began nearly 100 years ago.The collection moving to Baldwin Hills was also an opportunity for the library system to recognize the people who were determined to preserve LA’s Black history for future generations. “ recognized that our shelves did not represent the communities she was serving,” City Librarian John F. Szabo told The LA Local. “She saw it as such an important thing to develop a collection not only of books and, but of photographs that told not only the history of African Americans in Los Angeles but of Black history from everywhere.” The collection was renamed in 1971 and, until 2025, it was housed at the Vernon Branch Library on Central Avenue where Matthews once worked, according to Brown, the library’s emerging technologies and collections director. Heather Hutt, LA City Council District 10 councilmember, was also in attendance at Saturday’s ceremony. She told the crowd she used to work in the downtown library and that her family loves books. “If you get a chance to really look at the collection, share that with other folks so they know what’s happening right here at the Baldwin Hills library,” Hutt said.The Chinatown shop announced on social media today that it's sweeping its floor clean of the stuff because of safety and insurance reasons.The granddaddy of French dips has been at its Chinatown location since the 1950s; the shop itself for more than 100 years. Philippe's response on the origins of sawdust notwithstanding, restaurantsBut just as famous, many would argue, is the sawdust scattered about on the floor of the the century-old shop in Chinatown.Well, that quirk is no more. Philippe's announced Wednesday on social media in a"saw dust update" bidding goodbye to the tradition because of safety reasons. "After more than 100 years, the sawdust on our floors will officially be retired," the post reads."While this wasn’t our decision, it was a necessary step to meet current safety and insurance standards. It’s a change we didn’t make lightly." The granddaddy of French dips has been at its Chinatown location since the 1950s; the shop itself for more than 100 years. Philippe's response on the origins of sawdust notwithstanding, restaurantsThe nation’s second-largest school district is home to 389,000 students and roughly 100,000 pieces of art, including paintings, sculptures, maps and murals.A 2008 appraisal estimated the value was more than $12 million, according to a 2022 district document obtained by EdSource. Sure, the collection holds school records — classroom materials, photosyearbooks. But it also has ancient Mesopotamian cuneiform tablets dating back to 2100 BCE. Sculptures of “Don Quixote” by Salvador Dalí from 1979. A 1931 “Bugs Bunny & Friends” by the animator Chuck Jones shows Bugs Bunny, Wile E. Coyote, Daffy Duck and The Road Runner reading a book entitled “History of the 9th St. School.”The collection’s roughly 100,000 pieces are scattered across LAUSD schools and administrative sites, with many being stored in a central warehouse at district police headquarters. Experts say it’s a rarity for districts to acquire and maintain such a collection. While LAUSD students might enjoy little treasures displayed on their school walls and in hallway display cases, it’s more challenging for members of the public to view items in the collection. Since 2018, a team of volunteers have created a database that can be viewed online for free.Embarking on a treasure hunt for the art and artifacts held by the Los Angeles Unified School District is no small feat. The nation’s second-largest school district is home to 389,000 students and roughly 100,000 pieces of art, including paintings, sculptures, maps and murals. The art can be found in schools and district buildings across the district’s over 700-square-mile terrain. It is part of its Art & Artifact Collection, which began sometime in the 1850s and morphed into a multi-million-dollar collection today.yearbooks. But it also has ancient Mesopotamian cuneiform tablets dating back to 2100 BCE. Sculptures of “Don Quixote” by Salvador Dalí from 1979. A 1931 “Bugs Bunny & Friends” by the animator Chuck Jones shows Bugs Bunny, Wile E. Coyote, Daffy Duck and The Road Runner reading a book entitled “History of the 9th St. School.” The collection predates the official formation of LAUSD in 1961. The city was served by the Los Angeles City School District and the Los Angeles City High School District, which later. Most of LAUSD’s notable pieces are donations from alumni, former administrators and members of the larger Los Angeles community. A 2008 appraisal estimated the value was more than $12 million, according to a 2022 district document obtained by EdSource. “LAUSD history is Los Angeles history,” said Cintia Romero, the archive and museum’s curator and archivist. “We have all the people here; we have all kinds of buildings; we have all kinds of architecture; we have all kinds of cultures.” It is rare for school districts to hold on to such artifacts, says Brenda Gunn, the president-elect of the Society of American Archivists. “I don’t think it’s very common at all,” Gunn said. “I think what typically happens is that the school districts don’t really invest in any sort of preservation. It’s not often that a school district has an archivist, and if they do have any preservation efforts, it’s usually by a nonprofessional.”School officials also collect items unearthed at school sites during renovations — such as old fire alarms — as well as yearbooks and photographs that document LAUSD history. Los Angeles Unified says it maintains “professional standards for archival care and are intended to ensure that important pieces of the district’s history are maintained for future generations.” “School district records are like a continuous public diary of shifts in neighborhoods, how the school district has approached its curriculum, how did it manage desegregation or any big social and cultural events,” Gunn said. She added that some might also be interested in viewing them for something more personal, like understanding family genealogy. There’s little the LAUSD archive turns down. The main criteria is whether the art can serve in an educational capacity or as a teaching aide, Romero said. While LAUSD does sometimes loan pieces out to other institutions, it is “not in the business of buying or selling artwork.” And sometimes, she said, selling wouldn’t be in the “spirit of the donors,” some of whom were the original artists. “It doesn’t necessarily have to be valuable to be accepted. It can be a teaching aid,” Romero said. “So, everything kind of has value, really. Everything can be somewhere.”The “X” on LAUSD’s treasure map sits in a warehouse at the school police headquarters in rows of boxes that house a large portion of the collection. That includes the district’scollection donated by Venice High School’s historic Latin Museum, which operated from 1932 to 1997, and is now defunct. In a small museum at the LAUSD headquarters on S. Boundary Avenue, there is a display mimicking a late 19th-century classroom. In the “classroom” are wooden phonics teaching tools with scrolling letters, antique maps and silver-colored vessels once used during home economics classes. The classroom has a list of “Rules for Teachers 1872” that sits on the front desk: bring “a bucket of water and a scuttle of coal for the day’s session,” take “one evening each week for courting purposes, or two evenings a week if they attend church regularly.”But it is among the modern-day classrooms with digital tablets and smart boards where the rest of the treasure lies: Typically, in most school districts, items just end up sitting idly by for years, succumbing to what archivists call “benign neglect,” Gunn said. “There are all kinds of places that this archival material will end up,” Gunn said. “And staff are like, ‘Oh, I don’t want to throw this away, but it can’t be in my office, so I’m going to store it somewhere,’ and then it stays there until the next person.” For Gunn, the hope is that school officials may take the extra step to preserve art, documents and history. Leaving something in a storage closet or in a box and walking away is not enough, she says. “You’re not hurting anything. You’re certainly not throwing things away, but you’re not helping this; you’re not improving the situation of the records,” Gunn said. “But, what you hope is that someone down the road will see them, open that door and say, ‘Oh, these are valuable. And, if we can’t keep them here, then maybe there is another archive that will take them.’” In the case of the LAUSD archive, there have been several thefts, including a painting at Dorsey High School. Romero said that while there aren’t many details of the painting, the president of the school’s alumni association has since found it, and traded $25,000 worth of posters and plans to leave it to LAUSD.While LAUSD students might enjoy little treasures displayed on their school walls and in hallway display cases, it’s more challenging for members of the public to view items in the collection. In the 1980s, a formal inventory of art was curated. And in 2004, the collection was digitized, Romero said. So, since 2018, Romero and her small staff — made up of a volunteer and a small cohort of interns from Cal State Northridge and LAUSD’s Downtown Business Magnet school — continued to digitize items and add them to a public This process of digitizing the archive is largely made possible by donations and grants, though Romero’s position is funded through LAUSD’s general fund, according to the district. But curating the collection isn’t just about LAUSD’s or Los Angeles’s past. It’s also about the future. Romero and her team also keep tabs on ongoing renovation projects at school sites that could reveal new additions.is an independent nonprofit organization that provides analysis on key education issues facing California and the nation. LAist republishes articles from EdSource with permission.If you're enjoying this article, you'll love our daily newsletter, The LA Report. Each weekday, catch up on the 5 most pressing stories to start your morning in 3 minutes or less.More than half the money set aside by the city of Los Angeles for programs and services for unhoused people was not spent last fiscal year, according to an analysis by the city controller.More than half the money set aside by the city of Los Angeles for programs and services for unhoused people was not spent last fiscal year, according to an analysis by the city controller. In fiscal year 2025, the city left $473 million unspent.Controller Kenneth Mejia's analysis, released Monday, found that the largest share of unspent money came from a state housing grant. More than $223 million in Homeless Housing, Assistance and Prevention grants, which are issued by the California’s Department of Housing & Community Development, have yet to be used. The HHAP grants are provided in multi-year rounds providing two-year windows for when they need to be used. That flexibility is part of what accounts for the delayed spending.Los Angeles allocates more than $1 billion to agencies and initiatives responsible for helping the city’s unhoused population, which, at about 72,000 people, is among the largest in the nation. These funds are intended to go to a variety of programs like emergency assistance for people facing eviction, substance abuse treatment and housing assistance, including shelter that can accommodate pets.Los Angeles City Controller Kenneth Mejia provided several recommendations on how the city can better account for its homelessness budget, including spending housing grants in the same year they are reported, better communicating timelines to the public for when affordable housing will be available, and to analyze the budgets monthly to identify issues faster. Most of the unspent money comes from special funds that roll over into the next year. But the discrepancy between budgeting in one year and spending another muddies the public’s ability to track how money is being spent on one of the city’s most pressing problems. More than half the money set aside by the city of Los Angeles for programs and services for unhoused people was not spent last fiscal year, according to an analysis by the city controller. Los Angeles allocates more than $1 billion to agencies and initiatives responsible for helping the city’s unhoused population, which, at about 72,000 people, is among the largest in the nation.These funds are intended to go to a variety of programs like emergency assistance for people facing eviction, substance abuse treatment and housing assistance, including shelter that can accommodate pets. The controller provided several recommendations on how the city can better account for its homelessness budget, including spending housing grants in the same year they are reported, better communicating timelines to the public for when affordable housing will be available, and to analyze the budgets monthly to identify issues faster. Most of the unspent money comes from special funds that roll over into the next year. But the discrepancy between budgeting in one year and spending another muddies the public’s ability to track how money is being spent on one of the city’s most pressing problems. “The large homelessness budget leads the public to believe that the city is spending much more on homelessness than it actually is, increasing the public’s expectations and causing frustration when results inevitably do not align with the budget,” Controller Kenneth Mejia said in a prepared statement.over that same time period. L.A. Mayor Karen Bass has taken credit for recent drops in the city, one of the primary issues she’s focused on during her tenure. Bass released a statement supporting the controller’s recommendations on how to better account for the funds. “We are committed to transparency so Angelenos will have a clear picture and understanding of how much is being spent in one year and what funding is supporting programs over multiple years,” Bass said. “It’s important that we strategically spend funding over multiple years to ensure we can sustain progress despite state and federal changes.” A spokesperson for her office told The LA Local that Bass has been committed to identifying ways the city can better address homelessness and supported the controller’s recommendations. But stopped short of providing concrete steps for what will be done next. “She’s been cutting red tape in City Hall from day one and will back any serious proposal to ensure every dollar the City spends is clear, accountable, and effective,” the mayor’s press office wrote by email. The L.A. controller’s analysis, released Monday, found that the largest share of unspent money came from a state housing grant. More than $223 million in Homeless Housing, Assistance and Prevention grants, which are issued by the California’s Department of Housing & Community Development, have yet to be used. A spokesperson for the state’s housing department told The LA Local that the HHAP grants are provided in multiyear rounds providing two-year windows for when they need to be used. That flexibility is part of what accounts for the delayed spending. The second-largest amount was a little more than $99 million of unspent funds from Measure ULA, the city’s so-called “mansion tax” on2025 was the second year in a row that the controller found a pattern of underspending homelessness funds. About $513 million went unspent in 2024, of the approximately $1.3 billion in funds set aside. This spending is particularly difficult to track because it comes from an array of sources and is distributed across a variety of agencies. Mejia explained to The LA Local that tracking this spending was one of his priorities when he took office. His team created accounting codes, which hadn’t been done before, to better account for the money in various departments over several budget cycles. “Once we started tracking homelessness spending, we were able to find out that the city wasn’t actually spending anything close to what it was budgeting for homelessness – for two years in a row,” Mejia said. Councilmember Nithya Raman, who represents District 4 and is running for mayor, said the budget included money set aside for a homelessness oversight bureau she helped create, but has not yet been staffed. “Nearly a year later, not one staff member has been hired,” Raman said in statement attached to Mejia’s report. “Unless we are able to move with greater urgency to provide accountability to the public, Angelenos will lose faith that the city is spending these desperately needed dollars well.”A Los Angeles jury on Wednesday found that Meta and Google were to blame for the depression and anxiety of a woman who compulsively used social media as a small child, awarding her $3 million in a rare verdict holding Silicon Valley accountable for its role in fueling a youth mental health crisis.: Over a more than month-long trial in Los Angeles, the jury of five men and seven women heard competing narratives about what role social media platforms played in the mental health struggles of a woman identified as KGM, or Kaley, a now-20-year-old from Chico, Calif., who said she first started using YouTube at 6 years old and Instagram when she was 11. Lawyers for KGM argued that Instagram and YouTube were deliberately designed to be addictive and the companies knew the platforms were harming young people, while the tech companies countered that its services cannot be blamed for complex mental health issues.The jurors concluded that Meta and Google should pay the woman $3 million in compensatory damages and an additional $3 million in punitive damages, with Meta on the hook for 70% of that amount. The jury also decided that Meta and Google's actions should trigger punitive damages, which means there will be a separate phase of the trial where the jury will decide what amount of damages are appropriate to punish the multi-trillion-dollar companies for their conduct.The trial is a test case, known as a bellwether, tied to about 2,000 other pending lawsuits brought by parents and school districts arguing that social media giants should be considered manufacturers of defective products for hooking a generation of young people to social media feeds. As the verdict was read, the plaintiff, known only as Kaley, looked straight ahead stony-faced, while her lawyers shook their heads in approval. The lawyers for Meta and Google did not react to the jury's decision.A California jury on Wednesday found that Meta and Google's YouTube were to blame for the depression and anxiety of a woman who compulsively used social media as a small child, awarding her $6 million in a rare verdict holding Silicon Valley accountable for its role in fueling a youth mental health crisis. The jurors concluded that Meta and Google should pay the woman $3 million in compensatory damages and an additional $3 million in punitive damages, with Meta on the hook for 70% of that amount. As the verdict was read, the plaintiff, known only as Kaley, looked straight ahead stony-faced, while her lawyers shook their heads in approval. The lawyers for Meta and Google did not react to the jury's decision. The outcome of this case could influence thousands of other consolidated cases against the social media companies. The litigation has drawn comparisons to the legal crusade that led to industry changes against Big Tobacco in the 1990s. Joseph VanZandt, the co-lead lawyer for families and others suing social media companies, said Wednesday's judgement is a step toward holding Silicon Valley giants accountable. "But this verdict is bigger than one case. For years, social media companies have profited from targeting children while concealing their addictive and dangerous design features. Today's verdict is a referendum — from a jury, to an entire industry — that accountability has arrived," he said in a joint statement with the plaintiff's legal team. Meta and Google said they disagree with the verdict. Meta said it is weighing its legal options and Google plans to appeal. "This case misunderstands YouTube, which is a responsibly built streaming platform, not a social media site," said Google spokesman José Castañeda.for failing to protect young users from child predators on Instagram and Facebook. The New Mexico jury found Meta responsible for misleading consumers about the safety of its platforms, declaring that the tech company had flouted state consumer protection laws. That trial will enter a second phase, in May, in which a judge will decide whether Meta created a public nuisance and if the company must pay additional penalties to address harms. New Mexico Attorney General Raúl Torrez said he will also ask the court to force changes to make Meta's apps safer. "Juries in New Mexico and California have recognized that Meta's public deception and design features are putting children in harm's way," Torrez said in a statement on Wednesday. The blockbuster verdicts land against the backdrop of school districts and state lawmakers around the country limiting or banning phone use in schools. This week's verdicts mark the first time juries have decided that tech companies are at least partially liable for online and off-line dangers kids and teenagers encounter after incessantly using social media. Over a more than month-long trial in Los Angeles, the jury of five men and seven women heard competing narratives about what role social media platforms played in the mental health struggles of a woman identified as KGM, or Kaley, a now-20-year-old from Chico, Calif., who said she first started using YouTube at 6 years old and Instagram when she was 11. Lawyers for KGM argued that Instagram and YouTube were deliberately designed to be addictive and the companies knew the platforms were harming young people, while the tech companies countered that their services cannot be blamed for complex mental health issues.and other executives described the company's efforts to attract and keep kids and teens on its platforms. One document said:"If we wanna win big with teens, we must bring them in as tweens," and another internal memo showed that 11-year-olds were four times as likely to keep coming back to Instagram, compared with competing apps, despite the platform requiring users to be at least 13 years old. Under questioning about these documents, Zuckerberg told the jury that keeping young users safe has always been a company priority."If people feel like they're not having a good experience, why would they keep using the product?" Zuckerberg said. The trial is a test case, known as a bellwether, tied to about 2,000 other pending lawsuits brought by parents and school districts arguing that social media giants should be considered manufacturers of defective products for hooking a generation of young people to social media feeds. Throughout the case, the companies insisted that there is no scientific proof that social media causes mental health issues, suggesting that they are being used as a scapegoat for the multi-faceted emotional issues children face that can have many root causes.For decades, tech companies have avoided legal liability over the content that appears on their sites because of a federal law known asof the 1996 Communications Decency Act, which says that tech companies are not legally responsible for what their users post. This has made it difficult to bring cases over social media harms to trial. In the Los Angeles case, lawyers took a different approach by focusing on how tech companies built their platforms. They argued that features like infinite scroll, constant notifications, autoplay and beauty filters made apps like Instagram and YouTube equivalent to a"digital casino," which young people found too irresistible to put down. By taking this tack, the lawyers pursued a case alleging defective design that was able to get around the high bar set by Section 230. It's not what users post, the lawyers argued, but the very architecture of social media platforms. "How do you make a child never put down the phone? That's called the engineering of addiction," said KGM's lawyer Mark Lanier, a Texas trial attorney and part-time pastor who had a penchant for drawing on documents with markers on overhead project slides to keep the jury engaged. Over the course of five weeks, jurors heard from therapists, engineers, tech executives including Zuckerberg, and the plaintiff herself about just how culpable big tech companies should be for contributing to KGM's mental health struggles.Meta and Google fought back by underscoring the emotional and physical abuse her medical records indicated she experienced at home. Lawyers for the tech companies also hammered the point that Kaley's own therapist never documented that social media use was a factor in her mental health problems. From the witness stand, KGM testified that using social media affected her self-worth, as she got further drawn into the apps and withdrew from friends and family. She developed depression and body dysmorphia, she said, as she continuously compared herself to others and used beauty filters to enhance her appearance. She so craved the validation of social media, she said, that she would run off to the bathroom at school to check the number of"likes" her posts had received. She testified that it was hard to concentrate on school because all she wanted to do was stay glued to her social media feeds. The jury was not tasked with deciding whether Meta and Google had created Kaley's mental health woes, but rather if her compulsive social media use was a"substantial factor" in her struggles and if the defective design of the platforms was the direct cause of the distress. Lanier, who is known for trotting out large exhibits for trial spectacle, closed his questioning of Zuckerberg with one such display. Lanier and several of his associates held up a 35-foot collage featuring hundreds of selfies Kaley had posted to Instagram, many of which used beauty filters, just as she was struggling with body-image issues. Zuckerberg looked on, as Lanier peppered him with questions about how and why a girl under the age of 13, Meta's minimum age to create an account, was able to post to the app so obsessively. In his closing argument, Lanier drew the jury's attention to internal documents showing how top officials at Meta and Google were aware of how its products were causing harm to young people. "I don't naysay the opportunity to make money," Lanier said."But when you're making money off of kids, you have to do it responsibly.
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