“The choice to place Black womanhood at the center of Homecoming is a powerful form of social resistance.”
Black women filmmakers resist dominant ideologies by drawing from their personal experiences in order to create new symbolic meanings of Black womanhood. Using a Black feminist lens, I detail the ways that contemporary Black women filmmakers “use film as a creative form of expression to reconstruct meaning and disrupt the unidimensional images that attempt to control their experiences and opportunities.
, they resist their objectification by “identifying themselves as subjects, by defining their reality, shaping their new identity, naming their history, telling their story.” as being “as much a celebration of African American scholarly history as it is a concert film,” it is clear that the film is a celebration of African Americanscholars, as well as artists and activists — Toni Morrison, Nina Simone, Alice Walker, Marian Wright Edelman, Audre Lorde, and Maya Angelou, to be specific.
“As a Black woman, I used to feel like the world wanted me to stay in my little box,” says Beyoncé in a voiceover.may have stemmed from a concert performance, but true to the Black feminist perspective, the film is an act offor Beyoncé. The multi-dimensionality of her identity is what drives the narrative of the film — and Beyoncé Knowles-Carter is much more than a powerful performer.
The images that we see of Beyoncé in early rehearsal footage contrast sharply with the polished performance and the form-fitting cut-off shorts the audience sees on her during the Coachella concert. In rehearsal footage, we see Beyoncé wearing baggy sweatpants and T-shirts as she expresses concern that she does not feel like herself after giving birth to her twins and worry that she may never reach her pre-pregnancy level of strength and endurance.
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