‘Before, Now & Then’ (‘Nana’): Film Review | Berlin 2022

Kamila Andini's ‘Before, Now & Then’ (‘Nana’) is an intoxicating work that holds the viewer in a tight, loving embrace that won’t let go

describes her fourth feature as “a simple period film, employing a gentle touch and subtle compositions,” although that’s a bit of an undersell. True, it’s not a loud or particularly flashy work. But Andini and her collaborators, especially lead actor, offer a precisely calibrated, emotionally nuanced exploration of one woman going through a mid-life crisis in rural Indonesia during the 1960s that both looks and sounds stunning thanks to above-and-beyond craft contributions.

Given Andini hasn’t broken through to the arthouse market in the same way as some of her Oceanic contemporaries have, especially certain male directors from the Philippines like Lav Diaz and Brillante Mendoza, exposure beyond festivals, upmarket streamers and very niche venues is unlikely for

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