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might throw around existential quips oft-seen online as we all continue to grapple with the fragility of life post-pandemic, Gerwig spins these jokes into something all her own. They go farther and hit harder than your average conversational nihilism. America Ferrera, who steals scenes as a human that Barbie meets during her time in the Real World, gets a monologue so compelling that it makes you laugh as much as it makes you want to throw up under the weight of the world’s immense imbalance.
That nostalgia will be potent for mothers and daughters the world over, and’s regard for motherhood ends up being its most continuously stirring theme. The existentialist absurdity of the film’s dialogue will live on in meme format for years to come, but it’s the warm affection for a matriarchy that giveswould be Gerwig’s capitalist sellout, fear not. Even in an inherently plutocratic world, Gerwig maintains her integrity.of dollars for Mattel, as the brand already does.
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