Her credits also included ‘The Pee-Wee Herman Show,’ ‘Falling Down, ‘The Doors,’ ‘Fried Green Tomatoes’ and ‘Michael.’
Ling died Thursday in Santa Barbara after a battle with cancer, a spokesperson for WME announced. , Ling shared the Oscar for best production design with set decorator Nancy Haigh; the two had worked together once before, on the 1988 film Tarantino’s “main thing from the moment we sat down was, ‘I want this to be real.
I want to see. I want to smell and I feel that Hollywood. I don’t want to do green screen over here or have the digital interpretation. Let’s really change the billboards, and let’s put the real facades back on,’” Ling said in a “That is, to me, very exciting.
It’s something we don’t do much of anymore. I knew that what he wanted was to encompass himself and the actors into an environment that you could feel is real. You’re not just staring at something that’s a piece of green screen where we piece together later. That was the starting ground of this.
“I had to go out and figure out where I could attach real things to. It was quite an engineering feat to do, particularly on Hollywood Boulevard, to say, ‘I want the Pussycat Theater back. ’ To build those marquees, it’s added weight. These are old and fragile buildings that we were working with.
We had to also work with engineers to make sure we weren’t going to pull the facade off once we rebuilt the old signs. It was laborious but well worth it.
“The night of the first shoot when all the neon lit up and the period cars came out and costumes were out there, you absolutely believed you were in 1969 because everything was real. It was a movie filming a real street. We pretty much carried that theme through Westwood and everywhere we shot. ”that “L.A. is not a preservation city, never has been.
Now there’s been a nonstop movement of apartment building and glass towers. … What we did will be impossible to do next year. It’s unfortunate. We hope this will bring some nostalgia back and stop things from being torn down.
” Born in August 1952, Ling began her career designing sets and lighting for more than 200 theater, opera and musical productions. Among her early efforts was the 1981 HBO special, among the films that demonstrated she was equally at home with period authenticity, contemporary realism and stylized fantasy. Legendary DP Robert Richardson on New Doc About His Life, Upcoming Film ‘Madden’ and Why Hollywood Should “Regulate and Embrace” AIThe Hollywood Reporter is a part of Penske Media Corporation. © 2026 The Hollywood Reporter, LLC. All Rights Reserved.
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