“Avatar: Fire and Ash” opened with $345 million in worldwide sales, according to studio estimates Sunday, notching the second-best global debut of the year and potentially putting James Cameron on course to set yet more blockbuster records.
This image released by 20th Century Studios shows Varang, performed by Oona Chaplin, in a scene from"Avatar: Fire and Ash." James Cameron , right, director and co-writer of"Avatar: Fire and Ash," poses with his wife Suzy Amis Cameron at the premiere of the film on Monday, Dec.
1, 2025, at Dolby Theatre in Los Angeles. This image released by Paramount Animation and Nickelodeon shows the characters and SpongeBob SquarePants, voiced by Tom Kenny, left, and Flying Dutchman, voiced by Mark Hamill, in a scene from"The SpongeBob Movie: Search For SquarePants." © 2025 20th Century Studios. All Rights Reserved. This image released by 20th Century Studios shows Varang, performed by Oona Chaplin, in a scene from"Avatar: Fire and Ash." opened with $345 million in worldwide sales, according to studio estimates Sunday, notching the second-best global debut of the year and potentially putting James Cameron on course to set yet more blockbuster records. Sixteen years into the “Avatar” saga, Pandora is still abundant in box-office riches. “Fire and Ash,” the third film in, launched with $88 million domestically and $257 million internationally. The only film to open bigger in 2025 was “Zootopia 2” . In the coming weeks, “Fire and Ash” will have the significant benefit of the highly lucrative holiday moviegoing corridor.That film launched in 2022 with a massive $435 million globally and $134 million in North America. Domestically, “Fire and Ash” fell a hefty 35% from the previous installment. Reviews for “Fire and Ash” were also more mixed, scoring a series-low 68% “fresh” score on Rotten Tomatoes. Yet those quibbles are only a product of the lofty standards of “Avatar.” The first two films rank as two of the three biggest box-office films of all time. To reach those heights, the “Avatar” films have depended on legs more than huge openings. “Avatar” , opened with $77 million domestically but held the top spot for seven weeks. It ultimately grossed $2.92 billion worldwide. “The Way of Water” also held strong to eventually tally $2.3 billion globally. “The openings are not what the ‘Avatar’ movies are about,” said David A. Gross, a film consultant whoon box office numbers. “It’s what they do after they open that made them the no. 2 and no. 3 biggest films of all time.” For “Fire and Ash” to follow in those footsteps, it will need robust ticket sales to continue for weeks. Working in its favor so far: strong word-of-mouth. Audiences gave it an “A” CinemaScore. In interviews, Cameron has repeatedly said “Fire and Ash” needs to perform well for there to be subsequent “Avatar” films. These are exceptionally expensive movies to make. With a production budget of at least $400 million, “Fire and Ash” is one of the costliest movies ever made. “James Cameron is not known for his low budget movies,” said Paul Dergarabedian, senior media analyst for Comscore. “You can’t exactly create the world of Pandora on the cheap. If you’re going to have a 3D movie, an epic film that’s three hours and 17 minutes, it’s a huge buy-in of money, time, resources, and then you have to hope the audience wants to once again go along on that ride.” “Fire and Ash” was especially boosted by premium format showings, which accounted for 66% of its opening weekend. A narrow majority of moviegoers chose to watch it in 3D. The “Avatar” films have always been especially popular overseas. “Fire and Ash” was strongest in China, where its $57.6 million opening weekend surpassed the two previous movies.“Fire and Ash” didn’t have the weekend entirely to itself. A trio of other new wide releases made it into theaters in hopes of offering some counterprogramming: Lionsgate’s “The Housemaid,” Angel Studios’ “David” and Paramount Pictures’ “The SpongeBob Movie: Search for SquarePants.” In the race for second place, “David” came out on top. The animated tale of David and Goliath collected $22 million from 3,118 theaters, notching the best opening weekend for Angel Studios, the Christian-oriented studio that emerged with 2023’s surprise hit “Sound of Freedom.”starring Sydney Sweeney and Amanda Seyfried, opened with $19 million 3,015 theaters. The Lionsgate release, which cost about $35 million to make, is set up well to be one of the top R-rated options in theaters over the holidays. Based on Freida McFadden’s bestselling novel, it stars Sweeney as a woman with a troubled past who becomes a live-in maid for a wealthy family.which collected $16 million from 3,557 theaters. The G-rated film, based on the Nickelodeon TV series, is the first “SpongeBob” theatrical movie since 2015’s “The SpongeBob Movie: Sponge Out of Water.” All of this weekend’s new films will hope the ticket sales keep rolling in over the upcoming Christmas break. Starting Dec. 25, they’ll need to contend with some new wide releases, including A24’s “Marty Supreme,” with Timothée Chalamet; Focus Features’ “Song Sung Blue,” with Hugh Jackman and Kate Hudson; and Sony’s “Anaconda,” with Jack Black and Paul Rudd. Before expanding on Christmas, “Marty Supreme” opened in six theaters over the weekend, grossing $875,000 or $145,000 per theater. That was good enough for not only the best per-theater average of the year, but the best since 2016 and a new high mark for A24. The film, directed by Josh Safdie and starring Chalamet as an aspiring table tennis player in 1950s New York, is the most expensive ever for A24.With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:4. “The SpongeBob Movie: Search for SquarePants,” $16 million.7. “Wicked: For Good,” $4.3 million.Copyright 2025 The Associated Press. All rights reserved. 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