They’re half a century old, and they find their culmination in the sequel’s most fist-pump-worthy moment.
of caring more about the tulkun than it does about its humanoid characters. But that’s a feature and not a bug. Just as the entire plot of theseries is in some ways a pretext to let audiences luxuriate in the eye-popping paradise of Pandora, so the story of the second movie is an elaborate device to let Cameron do what he really wants to do, which is hang out with space whales.
In a flashback to the period of the first movie, Weaver’s scientist, Grace Augustine, hems and haws over what to call the apparent psychic connection linking all of Pandora’s flora and fauna. If she calls it intelligence, she frets, the scientific community will simply scoff, so she settles on “awareness.” But James Cameron isn’t a scientist.
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