Atlanta-based audio engineer Kesha Lee was planning to travel for work when her car broke down -- now, she's collaborating with a local songwriter on her own music.
[Car] was my choice of transportation, because I didn’t want to fly. But doing it that way just took so much longer, with the process, so I don’t have to go to work now. I’m not sure what they’re deciding, as far as the recording part. I think they’re going to just keep working with who they’ve been working with while I’ve been unavailable -- or, not unavailable, but here. So no work as far as going out to studios, but I’m cool about that. As far as mixes, nothing has been sent in yet.
At least you don't have to risk traveling with your gear -- you've said that your gear has been damaged that way in the past. I already had that happen, so that’s another thing I have to keep in mind: What gear do I need? Do I just need the mixing gear? Or both? And if it’s both, it’s like, okay, what’s the best way to travel? I haven’t figured out the best way to ship it, but I’m definitely leaning toward renting equipment versus bringing mine. Because if it’s going to get shipped, it’s most likely going to get damaged..
Thank you! On Twitter. I think it might’ve been, like, @chartdata. One of those. Someone tagged me in it on Instagram, and I grabbed the post from them and posted it to my page. But I first saw it on Twitter.I’m more excited for the artist, but it’s cool to have worked on a project that went platinum. I think I’ve gone through so much that platinum and gold doesn’t matter to me as much. I wasn’t excited about it like I was when I first started engineering and had never had that.
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