“My job is to agitate areas that may have been lying dormant, that you didn’t even know existed, power you had that you weren’t aware of,” says the performance coach, who ha…
. “I understand what it feels like to have to perform in front of thousands and you’ve never performed before. I understand that you can get a call right before you come into the studio that can totally shift your mood, your posture.”
You have to pull new inspiration into every performance you do. Your last performance, you can’t rest on those laurels. I learned the art of never getting comfortable from Clive Davis. Every time a song hit Number One, instead of standing on that, he’s still making calls. He still needed it to be Number One for the next two months. My job is to stretch artists beyond their perceived capacity. For Lil Nas, he didn’t have an arsenal of tools. There was no landing gear for him.
Everyone’s like, “have you ever played it?” He’s like, “nope.” Sounds like a plan. That confidence inspired me. One of our production people was really good friends with a horn player forWhat’s the most challenging situation you’ve gotten into with an artist you’re coaching? There’ve been times I had to go talk someone out of the bathroom. They’re like, “I’m not feeling this,” but they don’t want to hurt my feelings [by telling me]. It’s not about me. I want you to get comfortable. If you don’t feel good about it today, we can try again tomorrow. I want you to understand and identify your force, but I won’t force myself on to you. I’m always asking, “what do you want to offer? What is your point of view? What do you think your strengths are?” I’m here for you.
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