On the occasion of a bold new show at the Getty Center, “Tacita Dean: ‘Pan Amicus’ and ‘Monet Hates Me,’” Vogue spoke to the British-born, Berlin-based artist about her impression of L.A., her career-long obsession with obsolescence, and how she views the current state of the movie industry.
, where Dean served as artist in residence between 2014 and 2015. Although these were not Dean’s first projects to focus on American mythology and landscape , they do document her earliest steps toward embracing a city, and its surrounding filmmaking industry, which she humorously refers to as “the beast.” The experiences piqued her curiosity about L.A.’s unique sense of atmosphere, and she has since opened a studio in the West Jefferson area, dividing her time between there and Berlin.
I am also fascinated by the history of the exhibition in a box, like wunderkammern, Victorian curio cabinets, Marcel Duchamp’s
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