Cinemas from Philly to New York State and Boston (Coolidge Corner Theatre, you were missed) shuttered all or part of Sat., rattling but not routing the specialty box office. And a shout-out to thea…
Finland’s Oscar entry shortlisted for Best International Feature, directed by Juho Kuosmanen, was co-winner of the Grand Prix at Cannes.in week 6 with a gross of $312,930 on 684 screens , for a per screen average of 458 and a cume that passed $1 million. The distributor’sReturning: Kenneth Branagh’s long-running
from Focus Features, which had mostly eased out of theaters, grossed $12k at 200 locations, up by 137, in week 12. And Searchlight Pictures put Guillermo Del Toro’s black-and-white version ofin 1,100 theatres, with 300 locations continuing to play the color version released Dec. 17. Searchlight said estimated grosses of circa $535,000 are up 150% from last week.from United Artists Releasing grossed $691k, holding steady on 772 screens for a PSA of $895 and a cume of $11.8M.
The countdown is on to Oscar nods Feb. 8 when the specialty market gets more crowded and confusing with locations increasingly hard to book, noted a handful of distributors. “Then, we will start scrambling for limited screens,” said one. “Some films that only had qualifying runs last year won’t come out until after nominations. Then, there is always new stuff, at least a few a week. And some of the larger distributors are definitely focused on when is the best time to go back in. Nominations will give you a boost, but not a huge boost if you are not a top nominee. Awards can give you more. But everything is on VOD faster. So it’s like the Wild West.
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