Lucasfilm's TJ Falls and David Acord take us into the heart of the prequel series' gritty reality.
Watch"Star Wars: Andor" and every single Star Wars TV show and movie from"A New Hope" to"The Rise of Skywalker.""Mohen Leo, who's our visual effects supervisor, and I both worked on 'Rogue One' so we had a great shorthand with Tony already," Falls told Space.com."So we knew coming into Andor there were certain specific things we wanted to do. One of which was making sure that every aspect of the show was rooted in a sense of reality.
"It was a concentrated effort amongst all the departments the entire way through. Everybody was fighting for the same goal to make sure we had these components. When doing a series of this size it's like doing three or four movies all back to back together with the same level of expectation of aesthetics and visual quality you’d expect from any feature film.
"Tony was very keen on us getting the rhythm of it right and knowing each weld and ratchet and that there was a purpose and function to each one of those things. Then to mark each one of those things uniquely. So every time you see the prisoner with a welding laser, it's the same sound every time. I sat with Luke Hull the production designer, and he showed me rehearsals of actors going through the full motions start-to-finish building the parts.
"It was a big CG scene that we used all the tricks of the trade for," he admits."We thought, how do we have people actually get into these things? Then they have to take off and it has to be cool and there has to be reason and purpose behind it. So that was a lot of fun to create working with Tony Gilroy and editor John Gilroy as we crafted the momentum and timing for the pilots’ take-off into the Eye of Aldhani and you get that colorful visual experience as well."T.I.E.
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