When Michael Patrick King committed to AndJustLikeThat, he needed to figure out a way to push 'Sex and the City' into 2022. So he did what any streaming service would do in this era of storytelling and he changed the narrative.
committed to bringing “Sex And the City” back to series, he needed to figure out a way to push the original 1998 show’s edge into 2022. So he did what any streaming service would do in this era of storytelling and he changed the narrative by killing off a big character. Literally.
The executive producer said that the first two episodes were set up to be as realistic as possible, which inherently made them more dramatic. And the structure of the show has changed as well: Gone are the signature Carrie voiceovers along with the light tone that pandemic-weary fans may have been anticipating. In fact, anything of anticipatory nature is exactly what King was swerving from with this continuation.
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