Anatomy of a killer: How Ripley showrunner and Andrew Scott reinvented the infamous con artist

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Anatomy of a killer: How Ripley showrunner and Andrew Scott reinvented the infamous con artist
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Oscar-winning screenwriter Steven Zaillian and star Andrew Scott break down Netflix's sweeping black-and-white drama, 'Ripley,' from those kills to the Italian locations.

Sydney Bucksbaum is a writer at Entertainment Weekly covering all things pop culture – but TV is her one true love. She currently lives in Los Angeles but grew up in Chicago so please don't make fun of her accent when it slips out.Killer con artist Tom Ripley knows how to reinvent himself.of adapting the beloved story again. "But I'd read the book before that movie came out, and I think it's the kind of thing that can be made and remade.

The noir tale is equal parts gorgeous and haunting as Tom takes on his new life of wealth and deceit, and Zaillian mirrors that by removing all color from the series. "Of course, I didn't experience it in black and white — I experienced it in full color," Scott says. "There was a question of, 'Will this work?' It was filmed with an idea of, 'This could go either way.

But Scott faced his own Italian obstacle long before filming began. "He didn't speak Italian when we started, and he has to act in Italian," Zaillian says. "He doesn't even speak English with an American accent — he's Irish — so there's a lot of things that Andrew isn't that he had to bring to it." That’s why Scott never tried to "diagnose" Tom with anything so he could just view him as the "unreliable hero" of the story. "I don't see him as a sociopath or a villain or a monster or any of those things," the actor says. "I just really understood the sense of loneliness.

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