French director Justine Triet’s Anatomy Of A Fall premiered in Competition at Cannes over the weekend to a buzzy reception with its star Sandra Hüller being tipped as a front-runner for the f…
over the weekend to a buzzy reception with its star Sandra Hüller being tipped as a front-runner for the festival’s coveted best actress prize.
Her complex nature is laid bare in a trial hinging on her son’s testimony and a sound recording of a heated argument with her husband.Triet is among only a handful of women to have competed in Cannes more than once in their career.in 2019. Prior to that, her fourth feature, starring Virginie Efira as a workaholic lawyer with a disastrous love life, opened Cannes Critics’ Week in 2016.JUSTINE TRIET:as well as a film that went into the dynamics of couples in more depth.
Everything is constructed around the mother and the child. My daughter was about 10 years old, and I said to myself, “You don’t much about who I am, my life, my history”. I imagined a story in which a child’s absolute confidence in their mother, is slowly eroded, and damaged, putting doubts at the heart of their relationship.TRIET:
When Sandra’s character says the recording is not reality. It’s very contemporary. It’s what we live today. A trial is a place where things are transformed and given extra weight, creating fresh fictions. I liked the idea of creating a film where two fictions rode side-by-side, that of the defence and that of the defence for the dead man – and neither version is necessarily the truth.The film is extremely layered.
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