Filmmaker Laura Poitras and Goldin discuss their Oscar-nominated documentary about efforts to remove the Sackler family name from prominent museums amid the opioid epidemic.
Kate Green/Getty Images[I did it] so that I wouldn't go back to him. It's that simple. ... It was very important to me to have a record of what really happened. ... That's been sort of the motivating force of my whole life, my work, is to make records that nobody could re-edit or deny — and that was the same with this work. ... I believe it was for myself.
Accepting being an old woman in this society ... is very different and could be seen as difficult. I mean, you lose your credibility and you're invisible, which I kind of like. I have thought now about making a piece about age.by: Bridget Bentz, Molly Seavy-Nesper and Beth Novey
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