“All In: The Fight For Democracy” is not a Stacey Abrams biopic. That story, as director Liz Garbus says, “was a fig leaf over something more, complicated and historical hundreds …
says, “was a fig leaf over something more, complicated and historical hundreds of years in the making.”
Usually, you’re listening and you got the notepad, and you’re thinking about things and taking notes that the bridge should be this, or the lyric should be that. I love that artists like Janelle are putting their hearts and souls into this and helping to bring their audiences along with us. It’s interesting when you work on a film that you have not only the vestigial memory, but you also have that personal one, you know, every day of what it means to step out the door as an African Latinx woman, and deal with a series of microaggressions and a world that at times is obligingly giving me my place at the table.
She’s brought into a cell in a Mississippi jail, where she’s kept and she’s beaten all night and the next day is sent to a mental institution.
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