'The challenge is exploring darker issues while keeping the tone hopeful.' 🍂
: It was a real challenge to film and write, kind of on every level. Would you agree, Patrick?: Definitely. There's the choreography of the rugby. So when there's a scene where you've got something emotional and story-driven happening within the scene that might be like"Nick glances to Charlie as they're playing rugby" – but the import of the scene is that we see this connection between the boys.
This content is imported from Instagram. You may be able to find the same content in another format, or you may be able to find more information, at their web site.: When I think back on David [Thackeray], and having the intimacy coordinator there for any of those scenes, what was interesting was that I was expecting it to be all about getting the actors comfortable, making sure that consent was given, and that it worked in a very functional and professional way.
Season one ends with a carefree beach day for Nick and Charlie. Why did you choose that particular scene as an end point for this first arc onscreen?: I think mostly because it's such a joyful scene. The message of the show is just joy and happiness, finding love and friendship. And the beach scene is just a little summary of that.It's just these two boys having an amazing day together, without a care in the world. You know, there's no one around to judge them.
Looking ahead to future seasons, would you like to involve the teachers more now that the principal teen cast has been established?: Yeah, 100%. If we do get a future season, we’ll be moving into volume three of the books. And that is when the teacher romance happens. So in the show, we've already got Mr Ajayi, but in the books there's also Mr Farouk, who comes in, in volume three.
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