With surely the most go-for-broke, love-it-or-hate-it finale you’ll see this year.
that suggested he would like to quit directing and go back to writing because it’s so excruciatingly hard and because he finds film sets anxiety producing.is indeed an anxious, even misanthropic film, rapturous in its vision of solitude and quick to remind the viewer of how fragile and fleeting that solitude can be. It’s also exquisitely made, suggesting that Garland may hate the director’s chair, but he’s doing careful, meticulous things with it.
Buckley owns this stretch of the film, telegraphing her creeping fear at the sight of a man in the countryside who seems to be stalking her but remaining brisk and controlled even as the danger comes closer. Buckley is one of my favorite actors at the moment, and here she’s appealingly confident in the face of menace. Even when she has to dash here and there and scream and wield knives to defend herself in the final acts of the film, she never quite loses her self-possession.
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