The film, about Hungarian Holocaust survivor and architect László Tóth, has drawn criticism for the use of AI to enhance the Hungarian dialogue. Director Brady Corbet defends the use of the technology, stating that it was used minimally to refine vowels and consonants, and that the performances of Adrien Brody and Felicity Jones were not altered. However, the controversy raises questions about the role of AI in filmmaking and the nature of artistic creation.
. Onscreen, the story of Hungarian holocaust survivor and single-minded architect László Tóth is one of the triumph of art and undying nature of human creativity in the face of impossible odds. Behind the scenes, however, its director, Brady Corbet, took a few shortcuts that seem to undermine that exact missive., the team used a Ukrainian AI program called Respeecher to clean up some of the film’s Hungarian dialogue.
“You can do this in ProTools yourself, but we had so much dialogue in Hungarian that we really needed to speed up the process otherwise we’d still be in post.” The tech publication also claimed that AI was used to create architectural designs in the film’s closing sequence, which Corbet denies. “Judy Becker and her team did not use AI to create or render any of the buildings,” he said. “All images were hand-drawn by artists.
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