Broadway producer Jeffrey Seller talks about directing a Peter Pan musical, plus what 'Hamilton' fans can expect from that upcoming movie.
, that was beyond anyone’s wildest imagination. One could say, why would you ever try to make a musical? Nothing is ever going to be as good as “Hamilton.” But I’m a student of the American musical theater and I’m always trying to learn. I’m saying, I want to make another good one; I’m going to keep trying.It’s also made me more critical and rigorous, in terms of not settling. It helped me look at our old opening number and say, “Throw the whole thing away, start over.
Just to finalize one cue could take three hours, and we have about 100. It takes so, so long and requires so much patience from everyone. I hope it’s worth it because it really is beautiful.The Lost Boys introduce themselves to Wendy by way of a showstopping percussive number.if I fooled you into thinking it’s five kids
What’s so unique about this iteration of “Hamilton” is that by shooting it over two live performances with 16 cameras, and then having another two days to do dolly shots and close-ups with handhelds and no audience, we’ve captured a very different perspective of the story.] wails over the body of young Philip [played by Anthony Ramos], you are going to experience an intimate moment with Eliza that you can never experience watching the show live, no matter how close you’re sitting.
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