Sorkin said he spent three days trying to convince Jesse Eisenberg to return to play Mark Zuckerberg.
sequel will not star Oscar nominee Jesse Eisenberg as Facebook founder Mark Zuckerberg, but it was not for lack of trying, revealed writer-director Aaron Sorkin.on Friday that he initially wanted Eisenberg to return, despite the actor having repeatedly said he no longer wanted to be “associated” with the Meta CEO.
“I felt like it belonged to him, and he was certainly battle-tested,” Sorkin told the outlet. “He simply did not want to be conflated with Mark Zuckerberg anymore,” Sorkin said, echoing comments Eisenberg has made in past interviews, though he said he did not want to speak for the actor. Sorkin added, “He doesn’t like kids coming up to him in airports with business cards that say ‘I’m CEO, b---h’ for him to sign.
”in February 2025 that he’s no fan of Zuckerberg despite scoring his first Oscar nomination in 2011 for playing him. The pair even appeared together on“It’s not like I played a great golfer or something and now people think I’m a great golfer,” he said at the time.
“It’s like this guy that’s doing things that are problematic—taking away fact-checking and safety concerns, making people who are already threatened in this world more threatened. ” “As an actor, your job is to really understand your character; even if the character is a villain in a movie, your job is to defend your character,” Eisenberg said.
“And so I spent a lot of time thinking about this guy and thinking about how he felt…outcast in the world. ” Zuckerberg “created this thing in order to connect with other people because he felt uncomfortable connecting with other people through more traditional social norms,” he said he thought of his character while filming.
He no longer feels that way, he said, admitting he was “a little bit sad” about the “path” the CEO’s taken since Facebook became a megacompany. The director said Friday that he set his critiques aside while writing the film.
“I can’t judge Mark Zuckerberg while I’m writing it,” he explained. “You’ve got to write that character like they’re making their case to God why they should be allowed into heaven. ”
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