Aaron Pierre stars in Jeremy Saulnier's Rebel Ridge.
The Big Picture Watching a Jeremy Saulnier thriller is a unique experience. Each film offers an interesting yet differing take and viewpoint, all while chilling the audience to the bone. Blue Ruin explores revenge by way of a mysterious, unfurling plotline; Green Room is the best horror film about the Neo-Nazi punk rock scene ever made, ultimately curling back into subtle satire, and Hold The Dark explores animalistic mythos and portrays Alaska as it’s never been seen on film before.
SAULNIER: Yes, of course. But I won't allow that to really take up space in my head. If there's one superpower I have, it's not official MMA back and forth, but, as a filmmaker, I do not tap. I will not let go. I bite down until we're across the finish line. I do have to employ a sort of trickery on my brain.
You did a great job with this. Jeremy, I am fascinated by the editing process. No matter what you put on the page, it changes in the editing room. How did this film change in the editing room in ways you didn't expect going in? SAULNIER: Rebel Ridge was a tough shoot. It's definitely hard to pick out one. We had a 128-degree heat index. Safety and Health were all over it. We had to shoot for 50 minutes, then take 10-minute breaks, and I'm sitting here asking for take 12! It was a big deal. You have to not be unkind — it's always looking after the health of your cast and your crew — but the job is also to make sure you don't leave without what you need, for everyone's sake.
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