In the new movie “A Thousand and One,” the protagonist, played by Teyana Taylor, is a formerly incarcerated woman with a furious determination to forge and sustain a family life.
Though A. V. Rockwell’s first feature, “A Thousand and One,” sticks close to one woman amid her struggle to keep her family together in the face of formidable obstacles, it’s an epic story, stretching over more than a decade and seemingly inscribed on the mighty map of New York City at large.
The movie, which opens Friday in theatres, starts in 1994. The protagonist, Inez , a twenty-two-year-old hairdresser, is released from Rikers Island after a year and a half of incarceration. She returns to her neighborhood in Brooklyn, where she finds Terry , who is six, and who was taken from her amid her legal troubles and then put into foster care. Inez is energetic and resourceful; while housed in a shelter, she gets freelance work doing hair.
Throughout, Rockwell brings to the fore the media hum of politics, the electoral results and the matters of law that give rise to Inez’s daily difficulties, starting with the matter-of-fact separation of families by way of the foster-care system and the enduring, multigenerational miseries that such cavalier interventions inflict on parents and children alike.
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