A new exhibition at the Hôtel de la Marine in Paris showcases the private collections of the Renaissance elite.
. Back in 1584, Emperor Rudolph II, one of the greatest collectors of all time, commissioned a Georg Roll and Johannes Reinhold globe-shaped clock.“A Taste for the Renaissance: A Dialogue Between Collections,” which runs until June 30, brings together highlights from The Al Thani Collection and the Victoria and Albert Museum in London, including jewelry, paintings, sculpture, metalwork and rare objects.
Others were designed to set hearts racing. Hilliard’s miniature portrait of an unknown man, wearing just an open white shirt and a locket pendant, pulses with longing. “It’s sort of Colin Firth as Darcy coming out,” Edwards said jokingly.Renaissance goldsmiths used their virtuoso skills to send coded messages. Baroque pearls inspired jewels shaped like fantastic creatures, including a salamander pendant dating back to the 1490s.
New trade routes introduced exotic materials such as mother-of-pearl, ivory, turbo shells and finely painted Chinese porcelain, which were transformed into collectors’ pieces in Europe. Many European royals had a retinue of artists of different nationalities working to burnish their status. A period catalogue features designs by German armorers for Henry VIII and his court. “This is the high fashion in Renaissance metalwork,” theThe top collections were documented in detailed inventories, allowing art historians to track objects’ journeys from one prestigious owner to another. “Through these figures, these pieces have survived.
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