From a theatre company that keeps raising the bar, to an awkward return, to shows that punch above their weight, it’s been an interesting year on our stages.
Gone are the days when foyer gossips would mutter ruefully about the Melbourne Theatre Company. Leadership change under Anne-Louise Sarks has steered the company into a position of creative strength.
And what can’t it achieve after 2024? It delivered three Pulitzer Prize-winning plays on the trot, including the mesmerising to the propulsive feminist fun of a musical based on Miles Franklin’s
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