Rosalind Brown’s debut novel, “Practice,” follows a college student asking herself big questions while trying to write about the Bard’s sonnets.
Annabel, an undergraduate English student at Oxford, is not yet sure exactly what she is.
There’s a genius in the idea of using Shakespeare’s sonnets, which form an exploration of desire deeply and messily concerned with questions of gender and selfhood, to illustrate the complicated process of a young woman figuring out who and what she is. Shakespeare was a master of depicting the kinds of universal experiences — lust, betrayal, self-disgust, fear — that might preoccupy a young literary-minded student.
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