Peter McCabe in Band of Brothers
Television has always been drawn to war stories, especially those filled with action and drama. What makes them even more addictive is the reminder that these events were real and not so distant in history.
Among these shows, Band of Brothers remains unbeatable in the list of war shows. Created by Steven Spielberg and Tom Hanks, the series not only showed the reality of the army's first paratrooper regiment, but also the clashing personalities involved. Still, Band of Brothers is only one example of many war dramas produced for television. With that in mind, here are the war shows we thought would be the next Band of Brothers. 'The Pacific' No other miniseries is more similar to Band of Brothers than The Pacific. Another collaboration helmed by Hanks and Spielberg, with the addition of Gary Goetzman. The Pacific goes across the seas, following the United States Marine Corps in the Pacific Theater of Operations. Instead of focusing on just one regiment, The Pacific follows several members of the Marines of different regiments. From Iwo Jima to Guadalcanal, the war against Japanese forces literally transcends the oceans. With many of the battles taking place on islands, audiences may be reminded of the visuals comparable to Saving Private Ryan. However, instead of the adrenaline of the first hit, The Pacific takes even more time for a more immersive experience, truly plunging audiences into the middle of nowhere, war-torn Pacific. The miniseries isn't here to glorify war. In retrospect, it emphasizes the horrors of what these regular men had to endure. No matter what rank or regiment they are in, these men are molded by the bloodshed they've witnessed away from home. 'Masters of the Air' Spielberg and Hanks have taken viewers everywhere with their war-related projects. From the ground to the sea, this time, they bring audiences high into the skies. Set during German-occupied Europe, Masters of the Air follows best friends and U.S. Army Air Forces bomber pilots, Majors Gale"Buck" Cleven and John"Bucky" Egan , stationed with the 100th Bomb Group in England, flying B-17 bombers. Together, they take part in a death-defying offensive against German fighters. Unlike the grounded camaraderies of foot soldiers or the collective disassociation from home at sea, serving in the air force is a truly isolating experience. True to its title, Masters of the Air presents the crème de la crème of aerial warfare. After all, they are masters of their B-17 planes. The risk is even greater since bomber crews face higher casualty rates. Although these men fly alongside their brothers in war, they remain alone in a metal contraption, waiting to attack or be attacked. 'Birdsong' All's not quite fair in love and war. Although not as deadly, romantic affairs can be just as tumultuous. Birdsong follows Stephen Wraysford , who's caught up in both World War I and the memories of a pre-war affair with Isabelle Azaire . As he tries to survive in the trench warfare alongside Royal Engineers tunnellers, he finds solace in his army companion. But nothing during this period is guaranteed. Soon enough, Stephen will learn that life after war isn't the beacon of sunlight he had hoped for. War is often associated with guns and explosions. Meanwhile, Birdsong presents a strikingly different reality of war. Those who have watched Peaky Blinders and are familiar with Tommy Shelby's past as a tunneller will recognize the role. It is dark, claustrophobic, and, if they're not careful, suffocating. Although the illicit romance plays a significant emotional role in the series, it is the surprising brotherhood forged during the Battle of the Somme that becomes the series' true core. 'Our World War' In war, soldiers don't go hard — they go ham. Our World War is based on three true stories of British soldiers fighting in World War 1. From early clashes at Mons to the formation of a Pals battalion from Manchester, to the later use of tanks in battles like Amiens, Our World War captures the different stages of war. While the action is something straight out of a movie, the events are very real and mortifying. Utilizing modern camera techniques like bodycams and overhead filming, Our World War has the aesthetic of a current action thriller. Top that off with an equally contemporary soundtrack from PJ Harvey, and the series carries a fictional, almost too brutal to be true, feel. But don't be fooled by its style. At its core, it is a stylized documentary, much like Band of Brothers. The modern approach is meant to show that the World Wars are not as distant from today as they may seem.Show Do You Belong In? Yellowstone · Landman · Tulsa King · Mayor of Kingstown Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn't write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for. 🤠Yellowstone 🛢️Landman 👑Tulsa King ⚖️Mayor of Kingstown FIND YOUR WORLD → QUESTION 1 / 10POWER 01 Where does your power come from? In Sheridan's world, everyone has leverage. The question is what kind. ALand, legacy, and a name that's been feared and respected for generations. BKnowing the deal better than anyone else in the room — and being willing to walk away first. CReputation. I've earned it the hard way, and everyone in the room knows it. DBeing the only person both sides will talk to. That makes me indispensable — and dangerous. NEXT QUESTION → QUESTION 2 / 10LOYALTY 02 Who do you put first, no matter what? Loyalty in Sheridan's universe is always absolute — and always costly. AFamily — blood or chosen. The ranch, the name, the people who carry it with me. BThe company — or whoever's signing the cheques. Loyalty follows the contract. CMy crew. The men who stood with me when it counted — I don't abandon them for anything. DMy community — even when my community is a powder keg and I'm the only thing stopping it from blowing. NEXT QUESTION → QUESTION 3 / 10CONFLICT 03 Someone crosses a line. How do you respond? Every Sheridan protagonist has a line. What matters is what happens after it's crossed. AQuietly, decisively, and in a way that sends a message to everyone watching. BI outmanoeuvre them legally, financially, and politically before they even know I've moved. CDirectly. Old school. You cross me, you hear about it to your face — and then you deal with the consequences. DI absorb it, calculate the fallout, and find the move that keeps the whole system from collapsing. NEXT QUESTION → QUESTION 4 / 10SETTING 04 Where do you feel most in your element? Sheridan's worlds are as much about place as they are about people. AWide open land — mountains, sky, silence. Somewhere you can see trouble coming from a mile away. BThe oil fields of West Texas — brutal, lucrative, and indifferent to whoever happens to be standing on top of them. CA mid-size city where the rules haven't quite caught up yet — fertile ground for someone with vision and nerve. DA rust-belt town built around a prison — where everyone's life is shaped by what's inside those walls. NEXT QUESTION → QUESTION 5 / 10MORALITY 05 How do you feel about operating in the grey? Nobody in a Sheridan show has clean hands. The question is how they carry the dirt. AI do what has to be done to protect what's mine. I'll answer for it eventually — but not today. BGrey is just business. The line moves depending on what's at stake, and I move with it. CI have a code — it's not the law's code, but it's mine, and I don't break it. DI've made peace with it. Keeping the peace requires compromises most people don't have the stomach for. NEXT QUESTION → QUESTION 6 / 10AMBITION 06 What are you actually fighting to hold onto? Every Sheridan character is fighting a war. The real question is what they're defending. AA way of life that the modern world is doing everything it can to erase. BMy position — and the leverage that comes with being the person everyone needs to close a deal. CRelevance. I've been away, I've been written off — and I'm proving that was a mistake. DWhatever fragile order I've managed to build — because without it, everything burns. NEXT QUESTION → QUESTION 7 / 10LEADERSHIP 07 How do you lead? Authority in Sheridan's world is never given — it's established, maintained, and constantly tested. ABy example and force of will. People follow me because they believe in what I'm protecting — and because they know what happens if they don't. BThrough negotiation and leverage. I don't need people to like me — I need them to need me. CBy being the smartest, most experienced person in the room and making sure everyone quietly knows it. DBy being the calm centre of a situation that would spiral without me — and accepting that nobody thanks you for it. NEXT QUESTION → QUESTION 8 / 10OUTSIDERS 08 Someone new arrives and tries to change how things work. Your reaction? Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you. AThey'll learn. Or they won't. Either way, the land was here before them and it'll be here after. BI figure out what they want, what they're worth, and whether they're an asset or a problem — fast. CI was the outsider once. I give them a chance — one — to show they understand respect. DNew players destabilise everything I've built. I assess the threat and manage it before it manages me. NEXT QUESTION → QUESTION 9 / 10COST 09 What has your position cost you? Nobody gets to where these characters are without paying for it. The bill is always personal. AMy family's peace — maybe their innocence. The ranch demands everything, and I've let it take too much. BRelationships, time, any version of a normal life. The job eats everything that isn't nailed down. CYears. Decades in some cases. Time I can't get back — but I'm not done yet. DMy conscience, mostly. And the ability to ever fully trust anyone on either side of the wall. NEXT QUESTION → QUESTION 10 / 10LEGACY 10 When it's over, what do you want people to say? Sheridan's characters all know the ending is coming. The question is what they leave behind. AThat I held the line. That the land is still ours and everything I did was worth it. BThat I was the best at what I did and that no deal ever got closed without me at the table. CThat I built something real, somewhere nobody expected it, and I did it on my own terms. DThat I kept the peace when nobody else could — and that the town is still standing because of it. REVEAL MY SHOW → Sheridan Has Spoken You Belong In… The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you're complicated enough to straddle two Sheridan universes. 🤠 Yellowstone 🛢️ Landman 👑 Tulsa King ⚖️ Mayor of Kingstown YELLOWSTONE You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world's indifference to history, to land, to legacy, is not something you're willing to accept quietly. You lead from the front, you carry your family's weight without complaint, and when someone threatens what's yours, you don't escalate — you finish it. You're not cruel. But you are absolute. In Yellowstone's world, that combination of ferocity and loyalty doesn't make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it. LANDMAN You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You're a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they'll do to get it. You're not naive enough to think this world is fair. You're smart enough to be the one deciding who it's fair to. TULSA KING You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you're not above reminding people that the two aren't mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they'd be finished — who find, in an unfamiliar place, that they're more capable than the world gave them credit for. You don't need a throne. You build one, wherever you happen to land. MAYOR OF KINGSTOWN You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you're the only one positioned to do it without the whole thing collapsing. Mike McLusky's world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You've made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless. ↻ RETAKE THE QUIZ 'Generation Kill' The war is the last place to find humor. But if it works as a coping mechanism, well, no harm to that. Generation Kill tracks a Rolling Stone reporter who is caught up with the 1st Recon Marines during the first wave of the American-led assault on Baghdad in 2003. Through his eyes, the series shows the Battalion's role in the invasion of Iraq. The soldiers might have the guts to go into battle, but in actuality, they're a ragtag team of self-deprecating misfits. Audiences are familiar with war battles, but the day-to-day reality of military life is rarely portrayed. Generation Kill provides an authentic look into Marine Recon units when they're out of uniform. Considering that war is a hypermasculine environment, the show portrays these aggressive personalities, which are a product of the harsh conditions that are merciless against them. More importantly, the boredom of waiting for a battle is the main theme in Generation Kill, which affects how a brotherhood is affected by bursts of violence and causing mental instability. Gallipoli While most war depictions focus on battles between major Axis and Allied powers, they rarely show the supporting units involved. In the cast of Gallipoli, the story follows the ANZAC in the Gallipoli Peninsula of Turkey. The miniseries follows 17-year-old Thomas"Tolly" Johnson , who lies about his age to enlist alongside his brother Bevan , ultimately finding himself on the front lines of Gallipoli. On top of exploring an overlooked part of war history, Gallipoli delivers a brutal portrayal of army life that calls patriotism into question. At the end of the day, these are ordinary men assigned to do their duty. They're not mythic heroes, just young soldiers leaving their families behind to serve their country, whatever that meant at the time. What's even more gut-wrenching is the sense of institutional betrayal, as seen from the military mismanagement that marked the Gallipoli campaign as one of the most disastrous during World War I. 'Home Fires' It's always brotherhood in battle. But far away from enemy lines, the women of Home Fires find sisterhood in each other as they await their loved ones to return home. The series follows women in a rural Cheshire community as World War II changes their lives. Led by Frances Barden, the Women's Institute becomes more egalitarian while supporting wartime efforts like food production and civil defense. As the war separates families, the women encounter abuse and losses of their own. The message behind Home Fires is straightforward: behind every man is a woman, even in war. On a broader scale, the series shows women taking initiative, organizing community support efforts, and building air raid shelters. On a more personal level, they become the emotional backbone for their male counterparts, enduring hardship and protecting loved ones from the dangers of war. If that's enough, they still have to find their own footing, including questions of identity and sexuality. Creator Simon Block Seasons 2.0 Powered by Expand Collapse
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