While has dominated the discourse in recent days, offering a range of dazzling musical performances and captivating storytelling, it's also sparked considerable controversy. If you're seeking captivating alternatives to the film, explore these seven exceptional 21st-century musical movies that deserve more recognition.
While has dominated the discourse in recent days (including offscreen controversy with star Karla Sofiá Gascón), if you’re looking for a good alternative to the movie, there are plenty of other great modern movie musicals to watch instead. These seven 21st-century musical movies stand out as features deserving way more love. Steven Spielberg’s is one of that master filmmaker’s greatest accomplishments.
Getting to finally put his stamp on the musical genre, Spielberg’s filmmaking is alive with verve and imagination. Watching familiar musical tunes like “America” here is like discovering them for the first time thanks to the sharp visuals and grandiose spectacle unfolding on-screen. The musical numbers are realized with crisp clarity while a slew of performers like Rachel Zegler, Ariana DaBose, Mike Faist, and David Alvarez deliver instant star-making turns.This 2018 feature from Britain deftly blends the worlds of teen dramas, Christmas cinema, and musical movies into one irresistible concoction. It turns out belting show tunes go perfectly with beating up a zombified mall Santa. To boot, even manages to churn out a genuinely moving (and always timely) lesson about not giving up on the world even during the worst times. Boundless creative and packed with catchy tunes like “Hollywood Ending,” is the best Polish murderous mermaid musical you’ll ever see. From the mind of writer/director Agnieszka Smoczyńska, this twisted take on Hans Christian Anderson’s critiques misogynistic societal standards with a violent glee. There are also musical numbers covering material like the two lead mermaids discovering human experiences like shopping for the first time. Watching is the most John Carney movie ever made, which is a profound compliment. This Irish filmmaker has always been obsessed with music and how it brings people together. Those qualities have never been more movingly intertwined than with , his 2016 movie about a bunch of Irish teens who put together their own rock band. On a fundamental level, soars as an underdog coming-of-age yarn. However, it’s also just captivating in terms of its bevy of memorable tunes. How can you not tap your toes to something like “Drive It Like You Stole It”?, his eventually deceased wife (Marion Cotillard), and his daughter, represented as a doll. The weirdness director Leos Carax has concocted here won’t be for everyone, just like how the band Sparks (which wrote this movie works like gangbusters. This raw look at the dark side of show business, not to mention struggling with addiction, is told through distinctive visual imagination from director Michael Gracey. Even beyond the choice to realize Williams as a CG chimpanzee, is bursting with unique backdrops and imagery to represent key parts of this man’s life. It’s also got some killer musical numbers, including a one-take performance of “Rock DJ” that will leave the jaws of musical cinema geeks everywhere on the floor. as one of the all-time great movie musicals. But this John Cameron Mitchell joint offers even more joys beyond just that one set piece and is impressive thanks to Mitchell writing, directing, and starring. Other outstanding tunes like “The Origin of Love” dominate the runtime while sharp dialogue like “ behind a trail of rainbow carnage!” is inescapable. The messy process of embracing and discovering one’s identity is realized throug
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