“You’re not dying. You just can’t think of anything good to do.” -Matthew Broderick in “Ferris Bueller’s Day Off” (1986) The Academy of Motion Picture Arts…
– Chris Parker, Andy Samberg, Akiva Schaffer, Dylan Sellers, Becky Sloviter, Jorma Taccone Academy voters have a long-standing bias against comedy features, and only seem to open themselves up to ones that follow the “dramedy” narrative.
The Sundance sensation that is the biggest sale in festival history by $0.69 managed to live up to its expectations. More than just another “Groundhog Day”-like outing, it brilliantly captures a love story that is both moving and unconventional, boasting an utterly remarkable performance from Cristin Milioti. This shouldn’t be just a pick for the Golden Globes, but rather be in full-fledged consideration for its original, innovative nature. Plus, the Lonely Island as Oscar nominees? Yes, please.The recollection of your past with the promises for what could have been your future is something that speaks to millions. The Sundance hit brings newcomer Channing Godfrey Peoples to the forefront of Hollywood. The Baylor University grad and Austin screenwriting fellow tackles themes of love, family, and so much more, showing that Peoples values story and imagination. Its charming depiction of Black America hopefully can find a voice in the race.Often, this space is reserved for those works that aren’t “really” in the thick of the Oscar race. Typically fighting relentlessly to ensure enough voters read this, and seek a film or performance out, is often enough the goal. But it’s too arduous to talk about any other actor this year and not pretend Delroy Lindo’s career-topping work in Spike Lee’s Vietnam drama isn’t the most remarkable performance of the year so far. His monologue in the jungle is also still the scene of the year until proven otherwise.Garner began her course at the Telluride Film Festival in 2019 before Bleecker Street picked it up and dropped it in January. She profoundly utilizes writer-director Kitty Green’s all-too-raw script and subdued direction to clutch the viewer. The Harvey Weinstein-inspired film follows an assistant to a powerful executive as she slowly realizes her abuse. The Emmy-winning Garner delivers on every beat, both nuanced and expressive.Continuing the Academy’s failure to recognize some of the comedic greats, it’s a travesty that one of their definitive representatives of the telecast has never gotten on their radar. Before we get into “you can’t reward someone for hosting,” think back to performances like “When Harry Met Sally…” and “Mr. Saturday Night” and just think there could have been some room for him. In the independent film from director Matt Ratner, his role as an alcoholic dermatologist who forms an unlikely friendship with a stand-up comedian , presents the most urgent moment in his career to give him his overdue citation.In the early weeks of the summer, a debate broke out in the social media community about whether or not Disney +’s “Hamilton” is eligible for the Academy Awards, with conflicting reports and ideas about whether or not it is. Well, as Disney and the Academy sort that out, the most pressing question is whether the Oscars will bite if it is eligible. Disney plans on giving it a proper campaign, and the work of Renée Elise Goldsberry, who won the Tony for her stunning performance as Angelica, is perfectly suited for such an honor. Echoed by an unforgettable cast, she musters the depth of a layered and distinct woman—a worthy choice in a bizarre and evolving year. – Eliza Hittman Uncommon, elegant, and splendidly fluid, Eliza Hittman arrives with her bravery and compassionate script. Owing lots of the film’s successes to stars Sidney Flanigan and Talia Ryder, the restrained and somber narrative unfolds sensitively from minute to every beguiling minute. It’s a poignant journey that makes us excited about whatever is next for Hittman. Its raw, humane dialogue is its real strength.Reichardt has more than proven her worth over the years with beautiful entries like “Wendy and Lucy” and “Certain Women.” The woman has more than paid her dues. In this adaptation of the Jonathan Raymond novel, who also co-adapts with Reichardt, she strikes the balance of atmosphere and dialogue with her cast and technical team’s sensational work. She knows her strengths, doesn’t pretend to be something she’s not, and while her sensibilities are not for everyone, AMPAS voters should reintroduce themselves to one of the great auteurs of today.We have to give a lot of respect to the first film to make the switch to a VOD-only release, the sequel to the 2016 film that garnered a best original song nomination for “Can’t Stop the Feeling.” It provided a service to our children as we sat in the unknown in those first few weeks of the pandemic. While many will admit that it doesn’t precisely outdo its predecessor, the infectious joy that – Kave Quinn, Stella Fox The Jane Austen well has been more than drained, especially when it comes to the tale of “Emma,” but that doesn’t mean Autumn de Wilde’s latest adaptation doesn’t mount delightful and majestic setpieces. Production designer Kave Quinn has yet to find awards glory despite a career that has included “Far from the Madding Crowd” and “Judy,” while her long time set decorator Stella Fox gives everything a new and enchanting life.Dual DPs don’t usually get much traction, as shown by only two Oscar instances in the last 30 years . Simultaneously, the Charlize Theron action-thriller may not be at the top of Netflix’s focuses this year, so this may be one of the longer shots mentioned. However, you can’t help but sit in awe of director Gina Prince-Bythewood’s elevation of the genre, utilizing Barry Ackroyd’s famous tension-filled framing with Tami Reiker’s soft palettes. Reiker, who will undoubtedly be drawing even more attention with Regina King’s “One Night in Miami…” later this year, is having a breakout year. The threads of Consolata Boyle are signature to the period dramas they are set in, and she delivers it again with vibrant energy in Marjane Satrapi’s “Radioactive.” Using the canvas of Rosamund Pike’s spiritual acting range, Boyle manages to nearly outdo her work in 2006’s “The Queen.” She’ll likely continue those talents with “Enola Holmes” later this year.Judd Apatow finally found his sweet spot with his very personal and moving dramedy starring Pete Davidson. Perhaps it was teaming up with Jay Cassidy, who did wonders for David O. Russell’s “Silver Linings Playbook,” partnered with his usual collaborator William Kerr and relative newcomer Brian Scott Olds, that was able to do the trick. The jokes land, the emotional toll is significant, and the result is immensely intimate.“Suicide Squad” was the first DC endeavor to find Academy attention, even before Marvel was able to with “Black Panther.” The hair and makeup team help assemble all the girl power onscreen with Margot Robbie’s playful pigtails, Jurnee Smollett’s perfect skin and Mary Elizabeth Winstead’s rosy lips. Add in what they achieve with Chris Messina’s transformation as Victor Zsasz, and you have a picture that stands out.War films are solid bets in sound categories, and what Rod Lurie’s account of Operation Enduring Freedom is robust and thunderous over its 123 minutes. With a planned campaign waiting to be launched, this could be one of those underseen films that manage to build a more extensive following through the Academy’s network and word of mouth praise.
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