16 Fashion Shows That Defined the Decade

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16 Fashion Shows That Defined the Decade
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Walk walk fashion baby.

spread like wildfire on social media, it became pretty clear that no other designer would be able to top this show that season. The luxury French brand staged the mother of all fashion shows for Fall 2014, with a set that resembled a gigantic supermarket complete with fresh produce, candy, household goods, and Chanel-branded hardware.

As a cultural critique, the show was a commentary about the state of consumerism, a point made all the more salient when you consider the hordes of guests whoto grab as much products as they could after the show was over. Fashion-wise, Lagerfeld continued the idea of high-end sportswear he explored in his couture show prior, with models wearing luxurious sneakers and work-out attire that coincided with the rise of athleisure around this time. One of the most coveted pieces from the collection — a Chanel chain-link grocery shopping basket — sold out instantly.Fall 2015 show hit the runway under the newly installed Creative Director Alessandro Michele, few would have predicted the enormous impact the collection would have on the fashion world at large. Sure, the romantic clothes and the eccentric styling caught your attention right away, but the successful maximalist, gender-fluid magpie aesthetic he introduced in this collection has remained virtually unchanged in every show since.skyrocketing sales numbers that followed year after year. His first show for Gucci was actually Men's Fall 2015, which bowed just a few weeks earlier and was put together in just a few weeks, but it was this collection that marked his official outing to the world. Despite some mixed reviews from critics , it made Gucci one of fashion's biggest success stories of the last decade.mania and hype seemed to come out of nowhere in the middle part of the decade, but the brand's off-kilter wardrobe staples and underground street-inspired aesthetic arguably reached its peak with its Spring 2016 collection. After showing at a gay sex club in Paris the season prior, the Vetements collective led by then-designer Demna Gvasalia held their next show at a Chinese restaurant. Who knew that the collection's first look, a male model sporting a yellow DHL logo tee, would produce one of theThe rest of the clothes augmented the collection's other big themes, such as thigh-high boots, sharp and wide shoulders, oversized hoodies, and floral prairie dresses. Gvasalia's penchant for elevating everyday, generic clothes made Vetements one of the most desirable brands of the Paris fashion scene, in some cases rivaling the city's heritage brands and luxury houses in terms of It-status. While Gvasalia eventually left the brand to focus solely on his work at Balenciaga, theheld his Fall 2016 on the last day of NYFW in a stark white set with nothing but short, quick ping sounds emanating from the speakers.The stoic space provided a counterpart to the collection itself, which consisted of all-black and gray ensembles in multiple layers, exaggerated volumes, and dramatic proportions. Speaking of drama, thecould not be any higher, but models stormed the circular runway anyway with a confident pace and determined look. The renowned duo of Francois Nars and Guido Palau were the masterminds behind the makeup and hair for the show, respectively. Heavy eyeliner, black lipstick, and dark eye shadow were paired alongside slick braided hairdos that added a gothic, sinister flair to the theatrical looks. While Jacobs' shows aren't necessarily the most aesthetically consistent season-to-season on the surface, his affinity for opulence and ostentation results in collections that provoke a visceral, emotional reaction to the clothes, something that show-goers no doubt felt on this particular day.If there's one image that captured an entire collection in a single look from the Fall 2016 season, it's the rhinestone turtleneck, black cigarette ski pants, and red puffer jacket strategically unbuttoned to sit off the shoulder from theshow. It was the brand's first collection under new Creative Director Demna Gvasalia, who made a name for himself at Vetements, the design collective he co-founded that's known for its underground, low-brow sensibility. How was Gvasalia, whose aesthetic leaned toward ironic streetwear, going to translate his vision to one of the most storied couture houses of the 20th century?, which riffed heavily on strong shoulders, padded him, sharp tailoring, and angular outerwear. Look #14, the aforementioned outfit worn by Julia Nobis, captured the spirit of this show the best: functional pieces with a couture attitude. After the first half the show's structured silhouettes walked out, Gvasalia offered a series of floral dresses in loud, clashing patterns paired with candy cane-striped tights. They became the defining codes of Gvasalia's Balenciaga, providing a modern template for the designer to work from in the seasons to come.A few months after Hood By Air canceled its Fall 2017 show, which was scheduled to take place during Paris Fashion Week, the brand announced that it would go on hiatus, much to the dismay of its fans. The brand, led by co-founder and designer Shayne Oliver, first made waves when it initially launched in 2006, but it really captured the zeitgeist in the mid-2010s. Oliver's genderless designs effortlessly blurred the lines between streetwear and high fashion, while incorporating fetish and kinky elements for tribes of

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