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Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT Reviews for Francis Ford Coppola's long-gestating Megalopolis have come out of Cannes, but critics can't agree on what to make of the sci-fi epic. Much has been written about how the idea for Megalopolis has been evolving in Coppola's mind since at least the 1980s, and this has contributed to a lot of buzz for the film as it finally springs forth into the light of day.
9 Some Critics Have Interpreted Megalopolis As A Film About Filmmaking Adam Driver's character could be a stand-in for Coppola himself Because Megalopolis is being touted as Francis Ford Coppola's magnum opus, many critics are interpreting it as his most personal film. It can be difficult to cut through the noise and discover what Megalopolis is actually about, but there are elements of the plot which seem to serve as metaphors for the process of filmmaking.
It remains to be seen whether the report, which alleges that Coppola mistreated extras on set and held up production for hours while he sat in his trailer smoking, will impact Megalopolis' commercial viability. The inconsistent tone is one element of a broader criticism of Megalopolis, which is that Francis Ford Coppola's film refuses to bend to the conventions of cinema. Instead, it tries to reinvent them and force the audiences to do the legwork. Megalopolis doesn't seem like the kind of movie that audiences will get away with devoting half of their attention to. The unusual tonal shifts may be a feature, not a bug.
5 Megalopolis Is Proving To Be Hard To Categorize Critics have found it hard to assess Megalopolis Many reviews have pointed to the fact that Megalopolis is quite unlike any other big-budget movie ever made. David Rooney writes for The Hollywood Reporter that Megalopolis is "part political drama, part arty sci-fi, part romance and even part screwball comedy.
If Megalopolis is an allegory for filmmaking after all, then it makes sense that Coppola wants it to overflow with visual wonder. Megalopolis is no cookie-cutter story with a thoughtful resolution designed to leave audiences satisfied. By all accounts, this is art that centers the artist, not the consumer. It could well be an antidote to the Hollywood system that sees originality as a risk. On the other hand, some more negative reviews have cited the film's ambition as a weak point. Megalopolis could be overly ambitious, without the deft hand or the runtime to corral all of its ideas into a sensible package.
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