In the music industry, few people are more important that the producers and engineers. The right kind of production of your record can really make or break you.
That’s why finding a production team that fits your needs is so important. Sure, it’s easy to see flashy equipment, big names and trendy Instagram photos and think that’s what you need to make it big, but you’d be wrong. Producers are one part musician, one part therapist and one part guidance counselor, and it’s their special brand of magic that can take a good project to even greater heights.
The studio’s founder, The Roomsounds frontman Ryan Michael, began his production journey at the age of 15, when his pop-punk band Dead Legends needed to record a demo. Since then, he’s become absolutely “nutty” about it. Michael went from rudimentary recordings out of his bedroom to recording tracks in his band’s old jam pad and finally investing in a more elevated, high-quality space that allows him the freedom to produce his way.
His approach seems to be working. Since opening its doors almost two years ago, Element Sound has been fully booked, at least one month out, and his clients range from pop singers to church groups, vocal coaches and hip-hop artists. “Like, 90% of this business is similar to a tattoo artist or hair stylist. It’s not really about the facility anymore, as much as it is the person you’ll work with,” he said. “We all have equipment.
Loomis built a reputation as one of the country’s leading experts in advertising by developing unique brand strategies that include custom-tailored music composition. His brand work is impressive, for sure, but perhaps what Loomis is most famous for is writing and producing Vanilla Ice’s first album,. Nagella’s client resumé includes the likes of Taylor Swift, Ed Sheeran, J. Cole and many more.
Over the years, they’ve made a name for themselves not just for a big-name client list but for the attention they give artists and their willingness to give back to the community. They know the dark side of the music industry, namely contracts that leave many high-performing artists trapped in unfair and predatory deals. So, after experiencing this nightmare as an artist, Bedford was determined to help other artists avoid those pitfalls and better advocate for themselves.
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