Mary Kassel is a Senior Lists Writer at Screen Rant and a contributor to the site's Reviews section as well. Kassel studied film and television in college and emphasizes theory and analysis in their work. Additionally, they focus this analysis on intersectionality and the experience of artists from all walks of life.
Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT Most rom-com fans would be hard-pressed to say there aren't plenty of redeeming qualities of The Notebook, but after 20 years, there are some harsh realities of rewatching the movie that can't be ignored. Based on the book by Nicholas Sparks, released in 1996, The Notebook was adapted into a feature film starring Ryan Gosling and Rachel McAdams as the central couple, Noah and Allie, in 2004.
Noah climbs onto the Ferris wheel while Allie's riding it and threatens to let go and injure himself unless she agrees to go out with him. Despite this being the action of someone with no regard for the agency of the person they're pursuing, the movie frames this as a grand romantic gesture. Throughout the story, Noah's manipulation doesn't stop there, and Allie is pushed around emotionally based on what he wants and needs.
8 Allie's Mother Shouldn't Have Married Allie's Father Her story is one of the saddest and most misunderstood parts of the movie. Close It's easy to characterize Allie's parents as the villains, but in reality, it's much more complicated than that. They do keep Allie away from Noah and have terribly outdated ideas about love and relationships, but Allie's mother, Anne , has a complex backstory.
Noah is characterized as having to resort to cheap ploys to get Allie's attention. Conversely, Lon wins her over with grace and charm. However, this isn't an indictment on cultural perceptions of class but on the story's essential opinion about how people from different social stratifications behave. Additionally, Noah treats Allie as property, as do most people in her life.
For all of the story's comments on how class can't keep people apart, Allie enjoys and revels in her many privileges. 3 The Racism Of This Period Is Overlooked While issues of class are on full display, racial prejudice is skirted around. Close Creators will often point to the time period a story is set in to justify casting predominantly white actors and telling only white stories.
Allie and Noah have never lived together, barely know each other as adults, and are basing the rest of their lives off of teenage first love. The relationship between Allie and Noah only works in fiction. Lon understands the life Allie wants and respects her independence, something Noah rarely does. Any of the issues that Allie sees in Lon are ones she projects onto him because she wants to convince herself to be with Noah.
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