Here are our picks for StevieNicks' 10 best songs
: rich, autumnal listens in which a 1970s troubadour audited their history from the vantage point of a new millennium. “For What It’s Worth” is a touching tribute to Tom Petty, and the gem of the bunch.
“What you did was you saved my life / I won’t forget it,” she sings, referring to a tour with the Heartbreakers. The song vaulted to No. 26 on the Adult Contemporary chart.In the early 1980s, Nicks romanced British music producer Rupert Hine; instead of just exchanging numbers, the two a Dutch castle on top of a mountain. “We made an agreement to make a magic album,” said Nicks of this unconventional courtship. Their collaboration was “Rooms on Fire,” a spectral jam about being spellbound by a lover in the halls of a candlelit palace. Few songs feature so many windchimes.In 1974, Joe Walsh tasted tragedy. His daughter, Emma, was involved in a car accident, passing away at only three years old. A decade later, Walsh and Nicks drove through the mountains of Colorado together; when Nicks complained about a trivial matter from the shotgun seat, Walsh by talking about Emma’s death. This knee-wobbling shift in perspective produced “Has Anyone Ever Written Anything For You?”, one of Nicks’ most beautiful ballads. It’s a tribute to Walsh, Emma and anyone who ended up without a song.“If Anyone Falls” constructs a vivid, three-dimensional scene of bodies in space. There’s Nicks, ear pressed against a wall listening to a man’s voice. Until she hears another voice through the door -- a man’s, and it throws Nicks for a loop. “There was a time in which I was falling out of one love and into another,”Inside Out , in which emotions are given personhood and personalities in a girl’s mind, “If Anyone Falls” lets Nicks’ romantic hang-ups play out in a theater of the mind. Only she could pull it off.Ever inspired by conversational minutiae, Nicks caught one of her greatest songs from a chat with Tom Petty’s wife, Jane. When she mentioned she met her husband “at the age of seventeen,” Nicks misheard “edge of seventeen.” With one slip-up, she was off to the races. She took the phrase to not just mean coming of age, but the enormity of death: her uncle Jonathan had recently died of colon cancer, her colleague John Lennon shot and killed. “The white-winged dove in the song is a spirit that is leaving a body,” she told“I felt a great loss at how both Johns were taken.” The result is the greatest, most distinctive rocker she ever penned; its tense 16th notes, uneasy bass line and ascending piano line will lift you to that same heavenly plane.No Nicks song captures her voice like “After the Glitter Fades.” It begins ruefully looking out from the Hollywood Hills -- she “never thought she’d make it” in Tinseltown. She considers King Midas: when did his golden creations lose their luster? A lonesome pedal steel curlicues like a question mark. It soundtracked a real-life memory. Nicks wrote “Glitter” in 1972, before she joined Fleetwood Mac. She wasn’t sure she could make it in music. She was fed up trying. Of course, we know how this story ends -- but Nicks’ weariness still rings true. “Glitter” speaks to the end of fame, of showbiz, of everything. It’s why we love Nicks. Her songs never claimed that life was hunky-dory; they’re about how life goes on. We can all relate. This glitter hasn’t faded.
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