Luc Haasbroek is a writer and videographer from Durban, South Africa. He has written articles for sites like Paste and Briefly.
The Big Picture Keith Carradine is a stage and screen actor who was particularly active during the 1970s and '80s. A member of the Carradine family of performers, he first gained attention with his standout role in Robert Altman's McCabe & Mrs. Miller, and he continued to captivate audiences with performances in Nashville, The Duellists, and Southern Comfort. His projects lean toward Westerns and dramas.
Carradine appears as Edward Dickinson, Emily's father. It's not a major part, but he's sturdy in it, doing everything the movie requires of him and more. The end result of the cast and crew's efforts is an unusually literary film that serves as a study of a singular artist and of her time. It's slow-paced and insular, of course, so it won't please everyone, but there's certainly a lot to admire here.
8 'Thieves Like Us' Directed by Robert Altman Close "I come from the Ozarks. All we grow there is rocks and tomatoes." Thieves Like Us is a moody, somewhat revisionist crime drama from the great Robert Altman. Set during the Great Depression, the film focuses on three convicts who escape from prison and embark on a bank-robbing spree across Mississippi.
Carradine makes only a brief appearance, showing up as the governor of the medical school. His performance is typically strong and believable. It's also a neat bit of meta casting, evoking Carradine's background in Westerns like The Long Riders and the TV show Deadwood. While the film isn't the best showcase of Carradine's talents given the smallness of his role, the movie itself is terrific and certainly worth seeing for those who might not have caught it yet.
This is a blatant gimmick, but the performers are talented so it works. Keith Carradine is the volatile and more romantic Jim Younger, who marries a woman engaged to someone else even as he plots his next bank robberies. Reportedly, Keith was not interested in doing the film, but his brothers signed on before him and essentially forced his hand. While not especially innovative otherwise, the movie does boast some impressively gritty realism courtesy of director Walter Hill.
Indeed, the best part of the movie is the way it uses these characters as a lens through which to examine a tumultuous period in French history. We see seismic events like the rise and fall of Napoleon, as well as the French invasion of Russia. Scott's meticulous attention to period detail and the stunning cinematography bring the era to life. The film is simply beautiful to look at. Both lead actors rise to the occasion with strong performances.
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